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Dune Part Two: IMAX Q&A With Greig Fraser

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2024-03-28

Educate

4 mins read

IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…

The Creator BTS Released: Sony FX3 is Confirmed

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Yossy Mendelovich

2023-08-22

Educate

3 mins read

The behind-the-scenes of ‘The Creator’ was released, clearly showing the Sony FX3 as the dominant (and only?) camera on set. As demonstrated in the BTS, the advantages of the FX3 were well…

The Battle for the Credit: ARRI ALEXA 65 vs. Sony FX3

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Yossy Mendelovich

2023-08-02

Discuss

4 mins read

There’s a battle going on. And it’s a battle for credit between totally different cameras: The mighty high-end cinema camera ARRI ALEXA 65 versus the innovative prosumer Cinema LineSony FX3. What’s the…

The Creator: An IMAX Movie Shot Entirely on the Sony FX3

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Yossy Mendelovich

2023-07-19

Discuss

2 mins read

IMAX has released the trailer of The Creator. This 80,000,000 USD movie was shot by cinematographer Oren Soffer, with the help of DP Greig Fraser, ACS, ASC, on the Sony FX3. This…

Dune Was Shot on ALEXA LF, Transferred to 35mm Film, Then Scanned Back to Digital

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Yossy Mendelovich

2021-12-03

Educate

3 mins read

The process of making Dune was pretty novel in terms of creating the imagery. The movie was shot digital (on the ARRI ALEXA LF and Mini LF), then was transferred to 35mm…

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

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Yossy Mendelovich

2020-08-13

Discuss

2 mins read

After exploring the cameras that used to shoot 72nd Emmy Awards’ Outstanding Cinematography Nominees, now it’s the time to analyze the data regarding lenses. Although were are not surprised about Panavision leading…

The Cameras Behind 72nd Emmy Awards’ Outstanding Cinematography Nominees: Sony VENICE Leads the way

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Yossy Mendelovich

2020-07-30

Educate

2 mins read

As our tradition requires, we’ve built a chart of the main cameras used by the 72nd Emmy Awards’ Outstanding Cinematography Nominees. For the first time, SONY leads the way with its marvelous…

The Foggy Future of IMAX Film Cameras

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Yossy Mendelovich

2024-06-04

Discuss

3 mins read

Doing the math, it seems that IMAX film cameras have a foggy and unknown future. The next generation of IMAX film cameras is delayed, and the demand for shooting 15-perf has significantly…

Dune Part Three: Will Be Shot With the New IMAX Film Cameras?

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Yossy Mendelovich

2024-04-22

Discuss

2 mins read

Dune Part Three is a go! And just in time to try out the new 2nd generation of IMAX film cameras. Part One was shot on the ALEXA LF. Part Two was…

Dune Part Two: Five Interesting Cinematography Facts

by

Yossy Mendelovich

2024-03-06

Educate

4 mins read

ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. We’ve gathered a few interesting facts. Cameras, lenses,…

DP Greig Fraser

Dune Part Two: IMAX Q&A With Greig Fraser

The Creator BTS Released: Sony FX3 is Confirmed

The Battle for the Credit: ARRI ALEXA 65 vs. Sony FX3

The Creator: An IMAX Movie Shot Entirely on the Sony FX3

Dune Was Shot on ALEXA LF, Transferred to 35mm Film, Then Scanned Back to Digital

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

The Cameras Behind 72nd Emmy Awards’ Outstanding Cinematography Nominees: Sony VENICE Leads the way

The Foggy Future of IMAX Film Cameras

Dune Part Three: Will Be Shot With the New IMAX Film Cameras?

Dune Part Two: Five Interesting Cinematography Facts

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