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Oscars 2024 Lenses: Panavision Rules

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2024-02-13

Discuss

3 mins read

Like we did with the cameras, now it’s the lenses’ turn. We made a chart with the lenses used to shoot the Oscars 2024 (96th Academy Awards) Best Picture and Cinematography nominees.…

96th Academy Awards: The Cameras and Lenses

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Yossy Mendelovich

2024-02-01

Educate

2 mins read

Now, that we have the list of nominees, we can explore the cameras and lenses that shot Best Picture and Cinematography contenders for the 96th Academy Awards. There’s a solid presence of…

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

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Yossy Mendelovich

2023-10-27

Educate

4 mins read

Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

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Yossy Mendelovich

2023-10-20

Discuss

5 mins read

Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…

IMAXing Barbie for One Week Only: Shot on ARRI 65 Paired With Panavision System 65 Lenses

IMAXing Barbie for One Week Only: Shot on ARRI ALEXA 65 Paired With Panavision System 65 Lenses

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Yossy Mendelovich

2023-09-19

Discuss

2 mins read

IMAX has announced its version of the acclaimed Barbie movie, starting September 22 for one week only, the audience can experience the IMAX version of Barbie. Expect an impressive result, since the…

Top Cinematographers Demand More Rest on Film Sets

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Yossy Mendelovich

2021-08-26

News

2 mins read

A letter, written by 14 of the most acclaimed cinematographers, aimed at the Alliance of Motion Picture and Television Producers, demands to increase daily rest periods on movie sets. The letter titled…

The Cameras Behind Oscar 2021: Film vs. Digital

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Yossy Mendelovich

2020-12-07

Discuss

3 mins read

As a continuation of our Oscar 2021 cameras’ discussion, we made a ‘high-level’ survey to explore segmentation between film cameras and digital cameras used to shoot the predicted Oscar 2021 Best Cinematography…

The cameras that shot predicted Oscar 2021 Best Cinematography nominees

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

by

Yossy Mendelovich

2020-11-30

Discuss

2 mins read

As we’re getting closer to the postponed 93rd Academy Awards (Oscar 2021), it is time to make an initial survey regarding the cameras used to shoot the predicted nominees for the Best…

Rodrigo Prieto in The Irishman Credit / Niko Tavernise – Netflix

RED Helium Surrounded by Two ARRI Minis: The Irishman’s De-Aging Camera Rig

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Yossy Mendelovich

2020-02-10

Educate

4 mins read

The Irishman, which is nominated for the Visual Effects category in Oscar 2020, is a reference for pushing the boundaries between human creativity and technology potential. Read below how a unique camera…

Sundance Film Festival 2020 - Lens Manufacturers Chart

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

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Yossy Mendelovich

2020-01-31

Discuss

4 mins read

We’ve collected the data regarding the lenses been used on Sundance Film Festival 2020 films to try and find a new trend and/or intriguing conclusions. First, Cooke is killing it. Second, we’re…

Prieto

Oscars 2024 Lenses: Panavision Rules

96th Academy Awards: The Cameras and Lenses

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

IMAXing Barbie for One Week Only: Shot on ARRI ALEXA 65 Paired With Panavision System 65 Lenses

Top Cinematographers Demand More Rest on Film Sets

The Cameras Behind Oscar 2021: Film vs. Digital

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

RED Helium Surrounded by Two ARRI Minis: The Irishman’s De-Aging Camera Rig

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

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