Discuss Archives - Page 4 of 45 - Y.M.Cinema Magazine

ARRI ALEXA 265: FAQ, Sample Footage and Concept

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2024-12-06

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5 mins read

Introduction The ARRI ALEXA 265 marks a groundbreaking addition to the world of high-end cinematography. Featuring a compact structure armed with state of the art ALEV 3x medium-format sensor, the ALEXA 265…

Would You Like a Fixed Lens Medium Format Camera?

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YMCinema

2024-11-30

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3 mins read

Analyzing Fujifilm’s bold step into a niche within a niche: Fujifilm has been steadily carving out a space for itself in the medium format market, offering an alternative to traditional full-frame options.…

Why Did Sony Use the Same Sensor in the Alpha 1 II?

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YMCinema

2024-11-29

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2 mins read

Sony’s decision to reuse the 50.1MP sensor from the Alpha 1 in its successor, the Alpha 1 II, reflects a deliberate strategy. While at first glance it may seem uninspired, this approach…

Sony a1 II: A “Flagship” Without Direction for Videographers

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YMCinema

2024-11-26

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3 mins read

Sony’s newly announced Alpha 1 II arrives with an unmistakable air of stagnation for the filmmaking community. Touted as a groundbreaking flagship, the a1 II appears to be a mirror-polished rehash of…

Nikon’s Sensor Breakthrough: A Bold Move Toward Independence and Cinema

Nikon’s Sensor Breakthrough: A Move Toward Independence and Cinema

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YMCinema

2024-11-25

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3 mins read

Nikon’s recent sensor patent published a few days ago, US20240388815A1, represents an exciting shift for the company. Traditionally reliant on Sony-made sensors for its flagship cameras, such as the Z9 (source), Nikon…

Did Camera Manufacturers Forget the Definition of ‘Flagship’?

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YMCinema

2024-11-21

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4 mins read

The term flagship once conjured images of groundbreaking innovation, jaw-dropping performance, and a bold statement about the future of technology. For decades, the camera industry reserved this label for models that represented…

Sony a1 II: Yet Another Boring Flagship

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YMCinema

2024-11-19

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3 mins read

Today, Sony will announce the long-awaited successor to the Alpha 1: the Sony a1 II. And by “long-awaited,” we mean “mildly anticipated by a few enthusiasts hoping for something groundbreaking.” Spoiler alert:…

The Fujifilm GFX Eterna is an In-Housed GFX100 II

Is the Fujifilm GFX Eterna Just an In-Housed GFX100 II?

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YMCinema

2024-11-15

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3 mins read

The Fujifilm GFX Eterna arrives with much hype, billed as a bold medium-format cinema camera. But under the hood, it’s essentially a repackaged Fujifilm GFX100 II. According to a CineD interview with…

The Philosophy Behind Cinema Camera’s Sensor Sizes

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YMCinema

2024-11-11

Discuss

7 mins read

Cinema camera sensors are at the heart of filmmaking technology. The size of the sensor in a camera significantly impacts the visual aesthetic of a film, determining everything from the depth of…

Should Apple Buy Blackmagic?

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YMCinema

2024-11-10

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5 mins read

As the worlds of high-tech consumer electronics and professional filmmaking increasingly overlap, the idea of Apple acquiring Blackmagic Design is a fascinating proposition. Apple has made strides toward bringing professional-grade technology to…

Discuss - Page 4

ARRI ALEXA 265: FAQ, Sample Footage and Concept

Would You Like a Fixed Lens Medium Format Camera?

Why Did Sony Use the Same Sensor in the Alpha 1 II?

Sony a1 II: A “Flagship” Without Direction for Videographers

Nikon’s Sensor Breakthrough: A Move Toward Independence and Cinema

Did Camera Manufacturers Forget the Definition of ‘Flagship’?

Sony a1 II: Yet Another Boring Flagship

Is the Fujifilm GFX Eterna Just an In-Housed GFX100 II?

The Philosophy Behind Cinema Camera’s Sensor Sizes

Should Apple Buy Blackmagic?

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