Tomorrow, DJI is supposed to introduce a professional drone. The leaked brochure shows that the drone is Inspire 3, and it will be able to shoot 8K at 75 fps, by utilizing…
MoreThe official teaser trailer of EXTRACTION 2 has been released. And it looks fantastic! The film was shot mainly on the ARRI Mini LF, with some scenes on the RED Komodo. However,…
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What’s the goal of the newly announced RED Komodo-X? We all know the purpose of the 1st Komodo (Baby Dragon/RED’s…
As the trailer for Extraction 2 has dropped, producers Russo Brothers confirmed that the forthcoming Netflix hit contains an ultra-complex…
As expected, RED Digital Cinema has just announced its next DSMC3 camera, titled Komodo-X. RED introduces the Komodo-X as the…
It seems that Apple has removed its Pro App flagship from the ‘Professional’ tag. Since the beginning of the year, Apple has not released any update of FCP (Final Cut Pro). On…
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Editing with a VR headset is not so new. While reading this article, there are geeks out there using VR…
There’s a significant chance, that we’ll be able to edit on Final Cut Pro for iPad, with the forthcoming Apple…
There’s a possibility that Final Cut Pro and Logic Pro for iPad are not the last Pro Apps to be…
Comprehensive research made by Lisa McNamara from frame.io sheds light on the figures behind Oscars 2023 regarding the main factors of budget, crew, duration of principal photography, and post-production. How can it…
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As usual, we built the charts of the cameras and lenses that were used to shoot the final 95th Academy…
As YMCinema’s tradition dictates, it is time for the Oscars’ camera segmentation. We made a list of the cameras that…
Universal Pictures and Amblin Entertainment announced new IMAX theatrical releases of the Steven Spielberg classics E.T. The Extra-Terrestrial and JAWS.…
Would you use high-end cinema lenses to shoot a feature-length documentary? Well, a production company called ‘Shoot The Company’ has done this with the Cooke Varotal lenses. Why did the team choose…
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The champion of lens metadata — Cooke Optics, has partnered with EZtrack — a company that specializes in CG (Computer…
The wonderful, dystopian TV HBO Max series, The Last of Us, was shot by the young Russian cinematographer Ksenia Sereda.…
As our Sundance 2023 cinematography cover continues, this time we interviewed the DP behind the film festival selection, ‘Plan C’—cinematographer…
Panavision’s Engineering team has begun working on an ergonomically configurable Directors Finder optimized for large format and smartphones, tells Michael Cioni from frame.io. The goal is to combine iPhone technology with frame.io,…
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The Fabelmans, which was directed by the one-and-only Steven Spielberg, and shot by the one-and-only Janusz Kamiński, is a fabulous…
Super 35mm is back in the game, as more manufacturers develop cinema lenses that are compatible with that sensor size.…
Atlas announces the launch of its Sirius Series 1.0x anamorphic cinema lenses. Sirius Series lenses feature a 1.0x squeeze ratio…
In an interview held at CP+, by the French site Phototrend, Canon confirmed that DSLR is far from being dead. In fact, the acclaimed EOS 1D X Mark III is still considered…
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Canon has announced the development of a world-first ultra-high-sensitivity ILC (Interchangeable-Lens Camera) equipped with a 1.0-inch Single Photon Avalanche Diode…
Super 35mm is back in the game, as more manufacturers develop cinema lenses that are compatible with that sensor size.…
One of the most anticipated cameras to be accepted by Netflix has just been approved. Yes- the Canon EOS R5…
In a series of interviews, Sigma CEO – Kazuto Yamaki, elaborated (again) on the development of the anticipated full-frame sensor. This ambitious project which was supposed to be accomplished in 2022, seems…
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Kinefinity has just introduced the MC8020 — a new full-frame broadcast camera capable of shooting HDR up to 70 fps…
Here you have another intriguing project shot on the even more intriguing glass — Xelmus Apollo Anamorphics. This time it’s…
Canon has introduced a new lithography system with a large exposure field at a high resolution for producing full-frame CMOS…
According to sports cinematographer, Domenick Satterberg, the best combo for shooting the Super Bowl VII, is his beloved ARRI AMIRA paired with a hell of a cinema glass, which is the Fujinon…
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Fujifilm today announced the availability of its new flagship FUJINON Duvo HZK25-1000mm F2.8-F5.0 PL Mount Cinema Box Lens (“Duvo 25-1000”).…
Yet again, an item of one of the hottest jargon related to cinematography. The effort invested in making live events…
Would you use high-end cinema lenses to shoot a feature-length documentary? Well, a production company called ‘Shoot The Company’ has…
Fujifilm has tried to prove a point here. Using a huge box broadcast lens (FUJINON 25-1000mm PL) to shoot an actual cinematic car commercial. Paired with a high-end large-format cinema camera (Sony…
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Kinefinity has just introduced the MC8020 — a new full-frame broadcast camera capable of shooting HDR up to 70 fps…
Super 35mm is back in the game, as more manufacturers develop cinema lenses that are compatible with that sensor size.…
Atlas announces the launch of its Sirius Series 1.0x anamorphic cinema lenses. Sirius Series lenses feature a 1.0x squeeze ratio…