The official teaser trailer of EXTRACTION 2 has been released. And it looks fantastic! The film was shot mainly on the ARRI Mini LF, with some scenes on the RED Komodo. However,…
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It seems that Apple has removed its Pro App flagship from the ‘Professional’ tag. Since the beginning of the year, Apple has not released any update of FCP (Final Cut Pro). On…
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Comprehensive research made by Lisa McNamara from frame.io sheds light on the figures behind Oscars 2023 regarding the main factors of budget, crew, duration of principal photography, and post-production. How can it…
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Shooting Cinematic Sports With Cooke Glass
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Would you use high-end cinema lenses to shoot a feature-length documentary? Well, a production company called ‘Shoot The Company’ has done this with the Cooke Varotal lenses. Why did the team choose…
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Panavision’s Engineering team has begun working on an ergonomically configurable Directors Finder optimized for large format and smartphones, tells Michael Cioni from frame.io. The goal is to combine iPhone technology with frame.io,…
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In an interview held at CP+, by the French site Phototrend, Canon confirmed that DSLR is far from being dead. In fact, the acclaimed EOS 1D X Mark III is still considered…
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In a series of interviews, Sigma CEO – Kazuto Yamaki, elaborated (again) on the development of the anticipated full-frame sensor. This ambitious project which was supposed to be accomplished in 2022, seems…
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According to sports cinematographer, Domenick Satterberg, the best combo for shooting the Super Bowl VII, is his beloved ARRI AMIRA paired with a hell of a cinema glass, which is the Fujinon…
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Fujifilm has tried to prove a point here. Using a huge box broadcast lens (FUJINON 25-1000mm PL) to shoot an actual cinematic car commercial. Paired with a high-end large-format cinema camera (Sony…
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Here’re the charts and segmentations of the cameras that shot the Sundance 2023’s documentary films. It proves once again that documentary filmmakers use different tools as compared to their narrative colleagues. Not…
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