Watch this cool demonstration by Sony Cine, to learn how to assemble (or disassemble) the VENICE Rialto unit, in order to shoot handheld with the Sony VENICE. This educational video shows the…
Generating proxies is an integral part of the editing process, especially when dealing with high-resolution RAW media. In this short and efficient tutorial by the great educator Casey Faris, the importance of…
Real-world testing shows that the newly announced Nvidia flagship GPU — RTX 4080 can leverage the AI Magic Mask speed in DaVinci Resolve by 15 times (1,500%), compared to RTX 3070. That…
Netflix’s masterpiece, Athena, was shot mainly on the ARRI ALEXA 65 by cinematographer Matias Boucard AFC. Boucard utilized this extra-large sensor to enhance motion and storytelling in long takes, and within extreme…
IMAX has published its Q3 2022 Financial Results, showing a significant increase in IMAX DNA titles, mainly in the blockbuster segment. The report shows a record of 12 IMAX DNA titles expected…
The Avatar 2 has been shot mainly underwater, by utilizing, for the first time, a specific camera tech. Besides the Sony VENICE, the underwater rig was built from a 3D Beam Splitter…
Yet another beautiful commercial shot on the Blackmagic Pocket Cinema Cameras. This time, the BMPCC 4K and 6K were utilized to shoot the “with BMW” movie series in Japan. Let’s have a…
In my opinion, Michael Prickett is one of the bravest cinematographers who exist on the planet. Being the DP of HBO’s 100-Foot Wave means capturing those Nazare’s monsters, in an ultra-harsh environment.…
One of the most acclaimed and rare glasses ever made is for sale on eBay. For $80,000 USD, a Panavision Anamorphic B-Series 2x Auto-Panatar lens can be yours. Let’s have a look.…
The ARRI ALEXA 35 offers 19 recording formats. In order to explain the logic behind these formats, ARRI has published a poster describing the formats and their potential implementations in the industry.…