Educate Archives - Page 14 of 58 - Y.M.Cinema Magazine

Transform Your Lens Into a High-End Cinema Vintage Glass

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2024-06-13

Educate

2 mins read

The V35 Project can transform your modern lenses to emulate vintage lens aesthetics, inspired by a specific model for each lens. Read this if you are keen to transform your lens into…

Bad Boys 2024: Will Smith, RED V-Raptor, and SnorriCam

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YMCinema

2024-06-07

Educate

2 mins read

The star behind Bad Boys 2024 (Ride or Die), Will Smith, has shared on social media his cinematography skills, by filming himself with a SnorriCam paired with RED V-Raptor. The results were…

BTS of ARRI CPO

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YMCinema

2024-06-03

Educate

2 mins read

ARRI has released a short BTS (Behind The Scenes) video of its CPO (Certified Pre-Owned) program, demonstrating the high-level process of sharpening and validating secondhand cameras. ARRI Certified Pre-Owned ARRI CPO (Certified…

Furiosa: Filmed for IMAX on ARRI ALEXA 65, RED V-Raptor, and Komodo

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YMCinema

2024-06-03

Educate

2 mins read

Furiosa A Mad Max Saga is a mega-budget project directed by George Miller (79) and shot for the IMAX by cinematographer Simon Duggan ASC, ACS on a combination of ARRI ALEXA 65,…

Four 6K Cinema Cameras Inside a Formula 1 Cockpit: A TGM on Steroids

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YMCinema

2024-05-27

Educate

3 mins read

Does this headline sound familiar? Yes, it is! Top Producer Jerry Bruckheimer reveals some cool stuff about the upcoming Formula 1 film starring Brad Pitt. Think of it like Top Gun: Maverick…

Sony VENICE 2 + BURANO + FR7: Lethal Combination for Cinematic Broadcasting

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YMCinema

2024-05-19

Educate

2 mins read

This case study demonstrates an optimal combination of three Sony Cinema Line models, to capture cinematic imagery of the Coppa Italia Final. This cinematographic orchestra was assembled from the VENICE 2, BURANO,…

The Fall Guy: Shot on ARRI ALEXA 35 Paired With Panavision C and E-Series Lenses

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YMCinema

2024-05-03

Educate

2 mins read

Shot with one of the newest cinema cameras paired with good & old glass, The Fall Guy which was released in cinemas today, demonstrates some epic stunts allowed by complex cinematography. The…

Sphere’s ‘Postcard from Earth’ Review: An IMAX Experience on Steroids

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YMCinema

2024-04-29

Educate

4 mins read

So we saw the 1st project of the Las Vegas Sphere, which is ‘Postcard from Earth’ directed and filmed by Darren Aronofsky on the Big Sky huge format 316MP18K camera. Defining it…

ARRI Amira and FUJINON Duvo 25-1000 to Broadcast Football Games

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YMCinema

2024-03-31

Educate

3 mins read

The ARRI Multicam System setup was utilized to broadcast live football games with a cinematic look & feel. These powerful tools included the ARRI Amira cameras paired with the mighty FUJINON Duvo…

Dune Part Two: IMAX Q&A With Greig Fraser

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YMCinema

2024-03-28

Educate

4 mins read

IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…

Educate - Page 14

Transform Your Lens Into a High-End Cinema Vintage Glass

Bad Boys 2024: Will Smith, RED V-Raptor, and SnorriCam

BTS of ARRI CPO

Furiosa: Filmed for IMAX on ARRI ALEXA 65, RED V-Raptor, and Komodo

Four 6K Cinema Cameras Inside a Formula 1 Cockpit: A TGM on Steroids

Sony VENICE 2 + BURANO + FR7: Lethal Combination for Cinematic Broadcasting

The Fall Guy: Shot on ARRI ALEXA 35 Paired With Panavision C and E-Series Lenses

Sphere’s ‘Postcard from Earth’ Review: An IMAX Experience on Steroids

ARRI Amira and FUJINON Duvo 25-1000 to Broadcast Football Games

Dune Part Two: IMAX Q&A With Greig Fraser

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