Educate Archives - Page 21 of 48 - Y.M.Cinema Magazine

Shooting Underwater With the ARRI ALEXA 65

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2022-03-02

Educate

1 min read

ARRI Rental has shared some epicness by showing off their ALEXA 65 in an underwater shoot using the HydroFlex dedicated housing. Although this ability is not new, it’s nice to be reminded…

Proper Lighting and Good Colorist to Supercharge Your Film

Proper Lighting and Good Colorist to Supercharge Your RED Komodo Footage

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Yossy Mendelovich

2022-02-28

Educate

2 mins read

The short film presented here was shot on the RED Komodo by cinematographer Stefano Gabriele. In my opinion, this is the most beautiful imagery I saw out of the Komodo. Stefano has…

Look at the Beautiful Guts of a Film Camera at 1000fps With the Help of Phantom Flex4K

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Yossy Mendelovich

2022-02-28

Educate

1 min read

Yet another fascinating episode presented by The Slow Mo Guys. This time, they used the Phantom Flex4K shooting 1000fps into the guts of a Super 16mm film camera. Why? Because this is…

RED Komodo and Freefly Wave for Super-Fast (and Epic) FPV Aerial Cinematography

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Yossy Mendelovich

2022-02-25

Educate

2 mins read

The video in the article demonstrates a brave execution of FPV aerial cinematography in order to capture Moto2 race riders. The tools used for the job were the RED Komodo and Freefly…

From Nigeria to Los Angeles: Meet Film Producer Samuel Nkwume

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Yossy Mendelovich

2022-02-21

Educate

5 mins read

In this inspiring interview, film producer Samuel Nkwume takes us on his almost impossible journey, from being an accountant at a big accounting firm in Nigeria to pursuing his dream to be…

Cinema Lenses: Fujinon – The Premista Zooms, Evolvement of Lens Metadata, and the Crazy SK35-700mm

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Yossy Mendelovich

2022-02-20

Educate

4 mins read

Here’re the key points and highlights of the Fujinon deck, as part of the DCS (Digital Cinema Society) discussion, about the “Focus On Cine Lenses From the Buyer’s POV”. The presentation demonstrates…

Sundance 2022 Cinematographers: Andrew Wheeler on Shooting God’s Country

Sundance 2022’s Cinematographers: Andrew Wheeler on Shooting God’s Country

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Yossy Mendelovich

2022-02-15

Educate

4 mins read

The character-driven thriller, God’s Country, was premiered at Sundance 2022. We interviewed the DP Andrew Wheeler on the tools he used to shoot the film, plus his takeaways and tips for other…

Licorice Pizza: Best Picture Nominee – Shot on Film (Panavision XL2 + C-Series Anamorphic)

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Yossy Mendelovich

2022-02-10

Educate

3 mins read

It’s always nice revealing a Best Picture (or Best Cinematography) nominee that was shot on celluloid. In that case, there was no smarter option for Licorice Pizza to recreate the look and…

Watch These Outstanding BTS Pictures of ‘West Side Story’ by Unit Still Photographer, Niko Tavernise

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Yossy Mendelovich

2022-02-09

Educate

3 mins read

Thanks to Unit Still Photographer, Niko Tavernise, we own the privilege to explore the motion behind the scenes of one of the main Oscars 2022 contenders, West Side Story. Watch this stunning…

‘In From The Cold’ Cinematography: Shot on Sony VENICE Paired With Cooke S7/i and Panchros

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Yossy Mendelovich

2022-02-06

Educate

4 mins read

The cinematography behind the new cool Netflix action series ‘In From The Cold’ can constitute a reference of smart lens utilization for getting the correct images. The series was shot on Sony…

Educate - Page 21

Shooting Underwater With the ARRI ALEXA 65

Proper Lighting and Good Colorist to Supercharge Your RED Komodo Footage

Look at the Beautiful Guts of a Film Camera at 1000fps With the Help of Phantom Flex4K

RED Komodo and Freefly Wave for Super-Fast (and Epic) FPV Aerial Cinematography

From Nigeria to Los Angeles: Meet Film Producer Samuel Nkwume

Cinema Lenses: Fujinon – The Premista Zooms, Evolvement of Lens Metadata, and the Crazy SK35-700mm

Sundance 2022’s Cinematographers: Andrew Wheeler on Shooting God’s Country

Licorice Pizza: Best Picture Nominee – Shot on Film (Panavision XL2 + C-Series Anamorphic)

Watch These Outstanding BTS Pictures of ‘West Side Story’ by Unit Still Photographer, Niko Tavernise

‘In From The Cold’ Cinematography: Shot on Sony VENICE Paired With Cooke S7/i and Panchros

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