Educate Archives - Page 51 of 59 - Y.M.Cinema Magazine

Shane Hurlbut, ASC from Hurlbut Academy. Picture: Shane Hurlbut FB

Sharing Filmmaking Knowledge and Ideas: Chat With Shane Hurlbut, ASC

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2020-03-18

Educate

2 mins read

Today, at 11 am PST, cinematographer Shane Hurlbut, ASC from Hurlbut Academy will host a live FB chat about sharing ideas and knowledge regarding filmmaking, cinematography and more. This is why you…

Contagion BTS: Steven Soderbergh: Photo by Claudette Barius - 2011 Warner Bros. Entertainment Inc.

Steven Soderbergh’s Contagion is one of the Most-Watched Movies due to Coronavirus Panic

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YMCinema

2020-03-15

Educate

2 mins read

Steven Soderbergh’s film about a worldwide viral outbreak, “Contagion,” is one of the most-watched movies due to the Coronavirus panic. Read on some interesting cinematography facts about this movie. “Contagion” is booming…

Shooting The Dark Crystal. Cinematographer Erik Wilson. Picture credit: Kevin Baker, Netflix

Netflix’s The Dark Crystal was Shot on Specially Modified RED Cameras With Cooke Anamorphic/i Lenses

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YMCinema

2020-03-12

Educate

4 mins read

In order to get the majestic imagery of Netflix’s Dark Crystal, a unique combination of the Cooke Anamorphic glass with specially made RED Dragon was used. Cinematographer Erik Wilson explains the creation…

IMAX Filmmaking: What is it like to Shoot on an IMAX Film Camera?

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YMCinema

2020-03-10

Educate

5 mins read

In this educational piece, cinematographer Mathieu Vié helps us to get a rare in-depth look in one of the marvelous filmmaking tools ever made – An IMAX film camera. What’s like to…

Mac Pro White Paper: Technology Overview for Editors

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YMCinema

2020-03-04

Educate

5 mins read

Recently, Apple has published the Mac Pro’s White Paper, which includes some exciting technology facts plus recommendations regarding its new beast. Let’s take a closer look. Unleashing creativity: “Without constraint.” According to…

Roger Deakins Summarizes the Making of 1917

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YMCinema

2020-02-23

Educate

3 mins read

1917 which is the winner of Oscar 2020’s Best Cinematography, was shot by Roger Deakins on the ALEXA Mini LF with Signature Prime lenses. Let’s hear what Deakins has to say about…

Filmmaking for Photographers by Philip Bloom. MZed course

MZed Review: Filmmaking for Photographers by Philip Bloom

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YMCinema

2020-02-20

Educate

5 mins read

In this wonderful course by MZed, Philip Bloom helps photographers to become professional filmmakers. The course is composed of seven and a half hours of fascinating yet straightforward educational content, which includes…

Shooting for IMAX: Cuba. Cooke S7/i and the ALEXA LF. Credit: Golden Gate 3D

IMAX Filmmaking: Here’s How to Shoot for the Giant Screen

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YMCinema

2020-02-17

Educate

6 mins read

Considering to screen your film on IMAX theater? Then you should read this article, which summarizes cinematographer and director Peter Chang’s insights. Chang shot his IMAX film, Cuba, on various cameras paired…

Rodrigo Prieto in The Irishman Credit / Niko Tavernise – Netflix

RED Helium Surrounded by Two ARRI Minis: The Irishman’s De-Aging Camera Rig

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YMCinema

2020-02-10

Educate

4 mins read

The Irishman, which is nominated for the Visual Effects category in Oscar 2020, is a reference for pushing the boundaries between human creativity and technology potential. Read below how a unique camera…

Watch: Behind The Scenes of Jeep Commercial Shot and Directed by Mark Toia

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YMCinema

2020-02-06

Educate

3 mins read

This cool Jeep commercial + BTS footage was published on Mark Toia’s Vimeo channel. Let’s explore what we can learn from Toia regarding shooting and directing high-end commercials, and what it means…

Educate - Page 51

Sharing Filmmaking Knowledge and Ideas: Chat With Shane Hurlbut, ASC

Steven Soderbergh’s Contagion is one of the Most-Watched Movies due to Coronavirus Panic

Netflix’s The Dark Crystal was Shot on Specially Modified RED Cameras With Cooke Anamorphic/i Lenses

IMAX Filmmaking: What is it like to Shoot on an IMAX Film Camera?

Mac Pro White Paper: Technology Overview for Editors

Roger Deakins Summarizes the Making of 1917

MZed Review: Filmmaking for Photographers by Philip Bloom

IMAX Filmmaking: Here’s How to Shoot for the Giant Screen

RED Helium Surrounded by Two ARRI Minis: The Irishman’s De-Aging Camera Rig

Watch: Behind The Scenes of Jeep Commercial Shot and Directed by Mark Toia

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