Educate Archives - Page 24 of 56 - Y.M.Cinema Magazine

Netflix’s Purple Hearts: Shot by Matt Sakatani on the Sony VENICE (1&2) Paired With Cooke S7/i

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2022-09-13

Educate

7 mins read

Y.M.Cinema Magazine interviewed cinematographer Matt Sakatani Roe who shot the beautiful Netflix drama, Purple Hearts. Matt utilized the two models of the Sony VENICE paired with Cooke S7/i to get that dedicated,…

Shooting Professionally With the Sony FX3

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YMCinema

2022-09-09

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4 mins read

The short film “Get Away” was shot entirely with the Sony FX3. The goal was to produce a film that looks like a high-budget project, but with an affordable camera. The FX3…

Disney Original Film ‘Rise’: Shot on URSA Mini Pro 12K

Disney Original Film ‘Rise’ was Shot on URSA Mini Pro 12K

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YMCinema

2022-09-05

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3 mins read

Disney basketball film ‘Rise’ was shot by cinematographer Kabelo Thathe on the URSA Mini Pro 12K. The chosen codec was 8K in Blackmagic RAW. Watch the BTS footage and read why Thathe…

Flying With the ARRIFLEX 235

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YMCinema

2022-08-31

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2 mins read

Wires, cranes, and one flying ARRIFLEX 235 were very simple tools used to shoot fairly sophisticated sequences of flying actors. Here’re some more details on the awards-winning commercial —Burberry – Open Spaces.…

Top Gun: Maverick: The Avid Media Composer Timeline

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YMCinema

2022-08-31

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2 mins read

Eddie Hamilton A.C.E who is the editor of Top Gun: Maverick, has shared the completed Avid Media Composer timeline, which can be downloaded as high-res images. Check out this amazing art form…

Vertical Anamorphic With Z CAM S6 and Vazen 1.8X

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YMCinema

2022-08-25

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3 mins read

In continues to our previous article “Shooting Anamorphic on Vertical Sensor”, this time, cinematographer Michael Della Polla shares with us his ‘vertical anamorphic’ knowledge when shooting with the Z CAM S6 and…

Sony Large Format CMOS Sensors: Global Shutter vs. Rolling Shutter

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YMCinema

2022-08-23

Educate

2 mins read

Sony has published a video demonstrating the differences between its large format CMOS sensors with Global and Rolling shutters. The video is very straightforward and simple to understand. Explore the key points…

Winning Time Cinematography: Shooting Basketball Using Rollerblades and ARRIFLEX 235

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YMCinema

2022-08-22

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2 mins read

Panavision has shared a super cool BTS video from Winning Time: The Rise of the Lakers Dynasty. It appears that the most immersive basketball shots were captured on the ARRIFLEX 235, by…

The Main Components of Cinema Camera Rig

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YMCinema

2022-08-18

Educate

3 mins read

Have you wondered why the cinema camera’s rig looks so sexy and intimidating? Luckily, CVP has released a video that explains it all. Read below how main components like camera, monitoring devices,…

Shooting Anamorphic on Vertical Sensor

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YMCinema

2022-08-17

Educate

4 mins read

Vertical anamorphic is a unique and fascinating shooting method, that may grant you stunning results. However, have you considered turning your camera sideway to the anamorphic lens? Well, Berlin-based cinematographer Janis Brod…

Educate - Page 24

Netflix’s Purple Hearts: Shot by Matt Sakatani on the Sony VENICE (1&2) Paired With Cooke S7/i

Shooting Professionally With the Sony FX3

Disney Original Film ‘Rise’ was Shot on URSA Mini Pro 12K

Flying With the ARRIFLEX 235

Top Gun: Maverick: The Avid Media Composer Timeline

Vertical Anamorphic With Z CAM S6 and Vazen 1.8X

Sony Large Format CMOS Sensors: Global Shutter vs. Rolling Shutter

Winning Time Cinematography: Shooting Basketball Using Rollerblades and ARRIFLEX 235

The Main Components of Cinema Camera Rig

Shooting Anamorphic on Vertical Sensor

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