Educate Archives - Page 25 of 59 - Y.M.Cinema Magazine

Lost Bullet 2: If John Wick and F&F Made a Collab – Shot on RED Monstro 8K

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2022-12-16

Educate

3 mins read

Have you seen Netflix’s new high-octane, action-packed thriller Lost Bullet 2? If not —Go see it! It’s one of the best action movies Netflix has ever released. Large format goodness — Shot…

Blackmagic Publishes The Colorist Guide to DaVinci Resolve 18

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YMCinema

2022-12-15

Educate

2 mins read

Blackmagic Design has released the Colorist Guide to DaVinci Resolve 18. This is the first 400 pages of a hands-on training guide that can be downloaded for free regarding the latest version…

Building a Sony VENICE Rialto Backpack System

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YMCinema

2022-11-24

Educate

1 min read

Watch this cool demonstration by Sony Cine, to learn how to assemble (or disassemble) the VENICE Rialto unit, in order to shoot handheld with the Sony VENICE. This educational video shows the…

Creating Proxies in DaVinci Resolve 18: Tips & Tricks

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YMCinema

2022-11-18

Educate

3 mins read

Generating proxies is an integral part of the editing process, especially when dealing with high-resolution RAW media. In this short and efficient tutorial by the great educator Casey Faris, the importance of…

Nvidia RTX 4080 Unleashes Magic Mask Rendering Speed (X15) in DaVinci Resolve

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YMCinema

2022-11-17

Educate

2 mins read

Real-world testing shows that the newly announced Nvidia flagship GPU — RTX 4080 can leverage the AI Magic Mask speed in DaVinci Resolve by 15 times (1,500%), compared to RTX 3070. That…

Athena’s Cinematography: Utilizing ALEXA 65 in Complicated Long Takes

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YMCinema

2022-11-10

Educate

2 mins read

Netflix’s masterpiece, Athena, was shot mainly on the ARRI ALEXA 65 by cinematographer Matias Boucard AFC. Boucard utilized this extra-large sensor to enhance motion and storytelling in long takes, and within extreme…

IMAX Business is Booming: A Record of Titles in 2022 and Beyond

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YMCinema

2022-11-02

Educate

4 mins read

IMAX has published its Q3 2022 Financial Results, showing a significant increase in IMAX DNA titles, mainly in the blockbuster segment. The report shows a record of 12 IMAX DNA titles expected…

The Underwater Cinematography Behind Avatar 2: 3D Beam Splitter and Nikonos Lenses

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YMCinema

2022-10-24

Educate

7 mins read

The Avatar 2 has been shot mainly underwater, by utilizing, for the first time, a specific camera tech. Besides the Sony VENICE, the underwater rig was built from a 3D Beam Splitter…

A BMW Project was Shot on Blackmagic Pocket 4K and 6K Cinema Cameras

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YMCinema

2022-10-17

Educate

3 mins read

Yet another beautiful commercial shot on the Blackmagic Pocket Cinema Cameras. This time, the BMPCC 4K and 6K were utilized to shoot the “with BMW” movie series in Japan. Let’s have a…

Extreme and Dangerous Cinematography: Capturing 100-Foot Waves

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YMCinema

2022-10-17

Educate

6 mins read

In my opinion, Michael Prickett is one of the bravest cinematographers who exist on the planet. Being the DP of HBO’s 100-Foot Wave means capturing those Nazare’s monsters, in an ultra-harsh environment.…

Educate - Page 25

Lost Bullet 2: If John Wick and F&F Made a Collab – Shot on RED Monstro 8K

Blackmagic Publishes The Colorist Guide to DaVinci Resolve 18

Building a Sony VENICE Rialto Backpack System

Creating Proxies in DaVinci Resolve 18: Tips & Tricks

Nvidia RTX 4080 Unleashes Magic Mask Rendering Speed (X15) in DaVinci Resolve

Athena’s Cinematography: Utilizing ALEXA 65 in Complicated Long Takes

IMAX Business is Booming: A Record of Titles in 2022 and Beyond

The Underwater Cinematography Behind Avatar 2: 3D Beam Splitter and Nikonos Lenses

A BMW Project was Shot on Blackmagic Pocket 4K and 6K Cinema Cameras

Extreme and Dangerous Cinematography: Capturing 100-Foot Waves

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