Educate Archives - Page 24 of 57 - Y.M.Cinema Magazine

A BMW Project was Shot on Blackmagic Pocket 4K and 6K Cinema Cameras

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2022-10-17

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3 mins read

Yet another beautiful commercial shot on the Blackmagic Pocket Cinema Cameras. This time, the BMPCC 4K and 6K were utilized to shoot the “with BMW” movie series in Japan. Let’s have a…

Extreme and Dangerous Cinematography: Capturing 100-Foot Waves

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YMCinema

2022-10-17

Educate

6 mins read

In my opinion, Michael Prickett is one of the bravest cinematographers who exist on the planet. Being the DP of HBO’s 100-Foot Wave means capturing those Nazare’s monsters, in an ultra-harsh environment.…

Panavision X2 Anamorphic 50mm B-Series Auto-Panatar Lens: For Sale on eBay. Update: The Lens is Stolen

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YMCinema

2022-10-13

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4 mins read

One of the most acclaimed and rare glasses ever made is for sale on eBay. For $80,000 USD, a Panavision Anamorphic B-Series 2x Auto-Panatar lens can be yours. Let’s have a look.…

ARRI Publishes the ALEXA 35 Recording Formats Poster

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YMCinema

2022-10-09

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2 mins read

The ARRI ALEXA 35 offers 19 recording formats. In order to explain the logic behind these formats, ARRI has published a poster describing the formats and their potential implementations in the industry.…

EXTRACTION 2: Extreme ‘Oner’ Shot on ALEXA Mini LF

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YMCinema

2022-09-29

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2 mins read

Netflix has released the BTS of EXTRACTION 2. This time, Director Sam Hargrave has picked the ARRI ALEXA Mini LF for the intense action shots and intricate ‘oner’ executed in the film.…

Lighting a Desert: Magnificent BTS Footage of NOPE

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YMCinema

2022-09-26

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1 min read

The lighting technician of NOPE, Leigh Mierke, has published a pretty rare BTS footage of the IMAX horror masterpiece directed by Jordan Peele. It appears that apart from the ‘Day-for-Night’ solution, the…

Making CBS’ Survivor 43 More Cinematic: Shot on Sony Z750

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YMCinema

2022-09-22

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3 mins read

There’re times when it makes no sense to use top-notch cinema cameras. For instance, shooting in an ultra harsh environment like CBS’ Survivor. However, you still want it to look cinematic. In…

Devotion: RED Komodo Replaces the VENICE in the Aerial Dogfights Sequences

Devotion: RED Komodo Replaces the VENICE in the Aerial Dogfight Sequences

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YMCinema

2022-09-15

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2 mins read

Again, a movie about naval fighter planes, and again, minimization of the green screen, and again, utilization of action cinema camera on shooting aerial fighting sequences. But on Devotion, the RED Komodo…

Netflix’s Purple Hearts: Shot by Matt Sakatani on the Sony VENICE (1&2) Paired With Cooke S7/i

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YMCinema

2022-09-13

Educate

7 mins read

Y.M.Cinema Magazine interviewed cinematographer Matt Sakatani Roe who shot the beautiful Netflix drama, Purple Hearts. Matt utilized the two models of the Sony VENICE paired with Cooke S7/i to get that dedicated,…

Shooting Professionally With the Sony FX3

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YMCinema

2022-09-09

Educate

4 mins read

The short film “Get Away” was shot entirely with the Sony FX3. The goal was to produce a film that looks like a high-budget project, but with an affordable camera. The FX3…

Educate - Page 24

A BMW Project was Shot on Blackmagic Pocket 4K and 6K Cinema Cameras

Extreme and Dangerous Cinematography: Capturing 100-Foot Waves

Panavision X2 Anamorphic 50mm B-Series Auto-Panatar Lens: For Sale on eBay. Update: The Lens is Stolen

ARRI Publishes the ALEXA 35 Recording Formats Poster

EXTRACTION 2: Extreme ‘Oner’ Shot on ALEXA Mini LF

Lighting a Desert: Magnificent BTS Footage of NOPE

Making CBS’ Survivor 43 More Cinematic: Shot on Sony Z750

Devotion: RED Komodo Replaces the VENICE in the Aerial Dogfight Sequences

Netflix’s Purple Hearts: Shot by Matt Sakatani on the Sony VENICE (1&2) Paired With Cooke S7/i

Shooting Professionally With the Sony FX3

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