Educate Archives - Page 33 of 56 - Y.M.Cinema Magazine

ARRIFLEX 765: A Small Tribute to a Big Camera

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2021-11-13

Educate

3 mins read

ARRI Rental has launched a mini-site dedicated to one of the most intriguing and magical cameras on the planet – The ARRIFLEX 765. What do we know about this big piece of…

Polly Morgan ASC BSC Talks About the Greatness of Shooting on Film

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YMCinema

2021-11-03

Educate

4 mins read

Despite all the valid challenges, Polly Morgan ASC BSC shot ‘A Quiet Place Part II’ on film. In an interview to the Go Creative Show, Morgan elaborates on the advantages and disadvantages…

Micro Filmmaking: New Cinematography Approach. Picture: Digital Cinema Society

Are You Ready For ‘Micro’ Filmmaking?

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YMCinema

2021-10-29

Educate

3 mins read

Have you heard about micro lenses (probes) in filmmaking? Macro glass is well known and heavily utilized by filmmakers. However, micro lenses, although not new, are less familiar. Luckily, the guys at…

Final Cut Pro 10.6 Adds Feature We’ve Been Waiting For More Than 10 Years

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YMCinema

2021-10-20

Educate

3 mins read

Apple has introduced a new version of its NLE (Non-Linear Editor), Final Cut Pro. The 10.6 version allows two new and exciting features, which are the Cinematic Mode, and the other is…

Skyfall is the First 007 Movie Shot Digitally (on the ALEXA Cameras)

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YMCinema

2021-10-08

Educate

3 mins read

While everyone is talking (including us) about the new James Bond that was shot entirely on film cameras, this is an excuse to write about Skyfall, which is the first 007 movie…

Shirley Thompson has been freelance video editing for 32 years and editing mostly documentary films since 1992. @2021 Shirley Thompson Editorial, Photo credit: Stanford Chang

Women’s Cinema- Meet Veteran Editor Shirley Thompson

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YMCinema

2021-10-05

Educate

8 mins read

Here’s another episode of Women’s Cinema that is dedicated to female editors who made the climb in the industry. In this chapter, we introduce veteran editor and mentor Shirley Thompson, who has…

The OMNIMAX lens on the Fujifilm GFX 100. Picture: Jay P. Morgan

IMAX Projector Lens (OMNIMAX) + Medium Format Camera (GFX 100)= Ultra Wide (and Epic) Shots

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YMCinema

2021-10-04

Educate

2 mins read

Photographer Jay P. Morgan has made an ultra-cool and educational experiment. Morgan attached an IMAX theater projection lens (OMNIMAX) to a medium format camera (Fujifilm GFX 100). The results are super intriguing,…

BTS of The Surgeon's Cut. Picture: RED Digital Cinema

Shooting in an Operating Theater With Cinema Cameras and Lenses

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YMCinema

2021-10-01

Educate

3 mins read

Netflix’s cinematic documentary, ‘The Surgeon’s Cut’ has won a well-deserved Emmy in the category of Outstanding Science and Technology Documentary. This four-chapter series demonstrates some new and intriguing filming techniques. Instead of…

Women’s Cinema: Meet Editor Joanna Naugle

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YMCinema

2021-09-30

Educate

17 mins read

The next episodes of Women’s Cinema will be dedicated to female editors that made the climb in the industry. In this chapter, we introduce senior editor Joanna Naugle who is the Lead…

How to Shoot a Cinematic Touchdown Pass: The Art of Sports Cinematography

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YMCinema

2021-09-29

Educate

3 mins read

Not every day you manage to get an incredible shot like capturing a touchdown pass. Well, we all know that this is not only a matter of luck but expertise and knowledge.…

Educate - Page 33

ARRIFLEX 765: A Small Tribute to a Big Camera

Polly Morgan ASC BSC Talks About the Greatness of Shooting on Film

Are You Ready For ‘Micro’ Filmmaking?

Final Cut Pro 10.6 Adds Feature We’ve Been Waiting For More Than 10 Years

Skyfall is the First 007 Movie Shot Digitally (on the ALEXA Cameras)

Women’s Cinema- Meet Veteran Editor Shirley Thompson

IMAX Projector Lens (OMNIMAX) + Medium Format Camera (GFX 100)= Ultra Wide (and Epic) Shots

Shooting in an Operating Theater With Cinema Cameras and Lenses

Women’s Cinema: Meet Editor Joanna Naugle

How to Shoot a Cinematic Touchdown Pass: The Art of Sports Cinematography

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