‘Timelined’ is a series of articles dedicated to the postproduction storytellers, which are the editors. This time, thanks to The Rough Cut team, we are getting exposed to the timeline of Army…
DisneyPlus Allows its users to view certain films in IMAX’s aspect ratio. That means, films that were shot for the IMAX, and with IMAX cameras, can be viewed in 1:90:1 ratio (=…
FPV drone specialist Johnny Schaer (Johnny FPV) has published a video that shows all the FPV (First Point View) drone footage of Red Notice. The drone was built especially for the film,…
ARRI Rental has launched a mini-site dedicated to one of the most intriguing and magical cameras on the planet – The ARRIFLEX 765. What do we know about this big piece of…
Despite all the valid challenges, Polly Morgan ASC BSC shot ‘A Quiet Place Part II’ on film. In an interview to the Go Creative Show, Morgan elaborates on the advantages and disadvantages…
Have you heard about micro lenses (probes) in filmmaking? Macro glass is well known and heavily utilized by filmmakers. However, micro lenses, although not new, are less familiar. Luckily, the guys at…
Apple has introduced a new version of its NLE (Non-Linear Editor), Final Cut Pro. The 10.6 version allows two new and exciting features, which are the Cinematic Mode, and the other is…
While everyone is talking (including us) about the new James Bond that was shot entirely on film cameras, this is an excuse to write about Skyfall, which is the first 007 movie…
Here’s another episode of Women’s Cinema that is dedicated to female editors who made the climb in the industry. In this chapter, we introduce veteran editor and mentor Shirley Thompson, who has…
Photographer Jay P. Morgan has made an ultra-cool and educational experiment. Morgan attached an IMAX theater projection lens (OMNIMAX) to a medium format camera (Fujifilm GFX 100). The results are super intriguing,…