Educate Archives - Page 49 of 56 - Y.M.Cinema Magazine

Filmmaking for Photographers by Philip Bloom. MZed course

MZed Review: Filmmaking for Photographers by Philip Bloom

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2020-02-20

Educate

5 mins read

In this wonderful course by MZed, Philip Bloom helps photographers to become professional filmmakers. The course is composed of seven and a half hours of fascinating yet straightforward educational content, which includes…

Shooting for IMAX: Cuba. Cooke S7/i and the ALEXA LF. Credit: Golden Gate 3D

IMAX Filmmaking: Here’s How to Shoot for the Giant Screen

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YMCinema

2020-02-17

Educate

6 mins read

Considering to screen your film on IMAX theater? Then you should read this article, which summarizes cinematographer and director Peter Chang’s insights. Chang shot his IMAX film, Cuba, on various cameras paired…

Rodrigo Prieto in The Irishman Credit / Niko Tavernise – Netflix

RED Helium Surrounded by Two ARRI Minis: The Irishman’s De-Aging Camera Rig

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YMCinema

2020-02-10

Educate

4 mins read

The Irishman, which is nominated for the Visual Effects category in Oscar 2020, is a reference for pushing the boundaries between human creativity and technology potential. Read below how a unique camera…

Watch: Behind The Scenes of Jeep Commercial Shot and Directed by Mark Toia

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YMCinema

2020-02-06

Educate

3 mins read

This cool Jeep commercial + BTS footage was published on Mark Toia’s Vimeo channel. Let’s explore what we can learn from Toia regarding shooting and directing high-end commercials, and what it means…

ARRI ALEXA 65: 2020’s Showreel by ARRI Rental

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YMCinema

2020-01-27

Educate

5 mins read

ARRI Rental has released a showreel of one of the most fascinating cameras out there: The ALEXA 65. Let’s check it out and discuss what is so special about this sensor and…

A Rare RED Scarlet-W Monochrome was Used to Film White Sharks

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YMCinema

2020-01-20

Educate

1 min read

A rare Scarlet-W Monochrome was used together with the Signature Primes, to capture the white shark by Cancun based filmmaker Rodrigo Violante. Let’s explore this beauty. RED Scarlet-W 5K Monochrome The SCARLET-W…

The cameras that used to shoot the Oscar 2020 nominees

The Cameras Behind Oscar 2020: Film Made a Comeback and RED Enters the List

by

YMCinema

2020-01-16

Educate

3 mins read

Here are the cameras and lenses that shot Oscar 2020 Best Picture and Cinematography nominees. Now we have one RED Helium in the list (The Irishman) and a decent presence of film…

1917 set. Credit: François Duhamel/Universal Pictures and DreamWorks Pictures

Roger Deakins Explains the Cinematography Challenges Behind 1917

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YMCinema

2020-01-03

Educate

3 mins read

Roger Deakins talks about the cinematography challenges behind one of his most ambitious films, from a DP point of view. The tricks behind 1917 and the difficulties of shooting long takes. Read…

MZed Review: ARRI Christmas Masterclass With Julio Macat ASC

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YMCinema

2019-12-29

Educate

3 mins read

Building a scene is like conducting an orchestra. That’s the concept behind this inspiring masterclass by ARRI Academy on MZed educational platform. A professional crew led by cinematographer Julio Macat ASC will…

RED Helium and Cooke miniS4/i on Seven Worlds, One Planet. DP: Mark MacEwen

Wildlife Cinematography: Capturing the Power of Nature With RED and Cooke

by

YMCinema

2019-12-23

Educate

6 mins read

We’re lucky enough to get a glimpse into a wildlife cinematography work. In this case-study, Seven Worlds, One Planet cinematographer Mark MacEwen gives us some essential tips on how to capture the…

Educate - Page 49

MZed Review: Filmmaking for Photographers by Philip Bloom

IMAX Filmmaking: Here’s How to Shoot for the Giant Screen

RED Helium Surrounded by Two ARRI Minis: The Irishman’s De-Aging Camera Rig

Watch: Behind The Scenes of Jeep Commercial Shot and Directed by Mark Toia

ARRI ALEXA 65: 2020’s Showreel by ARRI Rental

A Rare RED Scarlet-W Monochrome was Used to Film White Sharks

The Cameras Behind Oscar 2020: Film Made a Comeback and RED Enters the List

Roger Deakins Explains the Cinematography Challenges Behind 1917

MZed Review: ARRI Christmas Masterclass With Julio Macat ASC

Wildlife Cinematography: Capturing the Power of Nature With RED and Cooke

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