Educate Archives - Page 50 of 57 - Y.M.Cinema Magazine

ARRI ALEXA 65: 2020’s Showreel by ARRI Rental

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2020-01-27

Educate

5 mins read

ARRI Rental has released a showreel of one of the most fascinating cameras out there: The ALEXA 65. Let’s check it out and discuss what is so special about this sensor and…

A Rare RED Scarlet-W Monochrome was Used to Film White Sharks

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YMCinema

2020-01-20

Educate

1 min read

A rare Scarlet-W Monochrome was used together with the Signature Primes, to capture the white shark by Cancun based filmmaker Rodrigo Violante. Let’s explore this beauty. RED Scarlet-W 5K Monochrome The SCARLET-W…

The cameras that used to shoot the Oscar 2020 nominees

The Cameras Behind Oscar 2020: Film Made a Comeback and RED Enters the List

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YMCinema

2020-01-16

Educate

3 mins read

Here are the cameras and lenses that shot Oscar 2020 Best Picture and Cinematography nominees. Now we have one RED Helium in the list (The Irishman) and a decent presence of film…

1917 set. Credit: François Duhamel/Universal Pictures and DreamWorks Pictures

Roger Deakins Explains the Cinematography Challenges Behind 1917

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YMCinema

2020-01-03

Educate

3 mins read

Roger Deakins talks about the cinematography challenges behind one of his most ambitious films, from a DP point of view. The tricks behind 1917 and the difficulties of shooting long takes. Read…

MZed Review: ARRI Christmas Masterclass With Julio Macat ASC

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YMCinema

2019-12-29

Educate

3 mins read

Building a scene is like conducting an orchestra. That’s the concept behind this inspiring masterclass by ARRI Academy on MZed educational platform. A professional crew led by cinematographer Julio Macat ASC will…

RED Helium and Cooke miniS4/i on Seven Worlds, One Planet. DP: Mark MacEwen

Wildlife Cinematography: Capturing the Power of Nature With RED and Cooke

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YMCinema

2019-12-23

Educate

6 mins read

We’re lucky enough to get a glimpse into a wildlife cinematography work. In this case-study, Seven Worlds, One Planet cinematographer Mark MacEwen gives us some essential tips on how to capture the…

Mac Pro Afterburner: Editors’ Dream but Only for ProRes and ProRes RAW

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YMCinema

2019-12-22

Educate

2 mins read

Apple has revealed its intentions. The Mac Pro Afterburner is dedicated to accelerating only Apple ProRes and ProRes RAW codecs. RED shooters are disappointed. Read more on Apple’s most mysterious card down…

Top Gun: Maverick – Six Sony VENICE Cameras Inside a Fighter-Jet Cockpit

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YMCinema

2019-12-19

Educate

2 mins read

In the upcoming Top Gun: Maverick movie, you are going to experience what’s like to be a Top Gun pilot. The production has assembled a specialized camera system of six Sony VENICE…

Atomos News: Shogun 7 Multi-Camera Switching and ProRes RAW Case-Study

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YMCinema

2019-12-16

Educate

5 mins read

Atomos announces (finally) the new switching FREE update for their Shogun 7 HDR monitor-recorder. Plus an interesting ProRes RAW case-study that demonstrates the power of the Shogun 7 in low budget feature…

Live-streaming with the Amira. picture credit: Christopher Rowe

ARRI Revolutionizes Live-Streaming: Real-Time LUTs Mixing to Elevate Cinematic Look

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YMCinema

2019-12-05

Educate

5 mins read

ARRI found a way to enhance the cinematic look of live streaming by utilizing its cameras capabilities of mixing LUTs during a real-time event. Read how this concept was implemented and premiered…

Educate - Page 50

ARRI ALEXA 65: 2020’s Showreel by ARRI Rental

A Rare RED Scarlet-W Monochrome was Used to Film White Sharks

The Cameras Behind Oscar 2020: Film Made a Comeback and RED Enters the List

Roger Deakins Explains the Cinematography Challenges Behind 1917

MZed Review: ARRI Christmas Masterclass With Julio Macat ASC

Wildlife Cinematography: Capturing the Power of Nature With RED and Cooke

Mac Pro Afterburner: Editors’ Dream but Only for ProRes and ProRes RAW

Top Gun: Maverick – Six Sony VENICE Cameras Inside a Fighter-Jet Cockpit

Atomos News: Shogun 7 Multi-Camera Switching and ProRes RAW Case-Study

ARRI Revolutionizes Live-Streaming: Real-Time LUTs Mixing to Elevate Cinematic Look

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