Educate Archives - Page 6 of 47 - Y.M.Cinema Magazine

Shooting a Movie on a Data Rate of 32 Gigabits Per Second

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2023-11-11

Educate

2 mins read

It appears that it’s not so simple to make an 18K film for the Las Vegas Sphere. You can ask Darren Aronofsky, who is the first filmmaker who shot for the Sphere…

Shooting a Micro-Budget Independent Production, but Getting an Awe-Inspiring Million Dollar Result

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Yossy Mendelovich

2023-11-10

Educate

6 mins read

FULL CIRCLE is an inspiring true story of snowboarder Trevor Kennison and legendary skier Barry Corbet. Directed and filmed by Josh Berman, this outstanding project is a reference for micro-budget indie production,…

The Challenging Relationship Between Cameras and LED Walls: A White Paper

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Yossy Mendelovich

2023-11-09

Educate

4 mins read

This white paper titled “Cameras and LED Walls — A Challenging Relationship,” which is presented by Klaus Weber, Director Camera Product Line Manager at Grass Valley, sheds light on the complicated and…

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

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Yossy Mendelovich

2023-11-09

Educate

2 mins read

The Marvels’ final IMAX trailer was released. Captured by Sean Bobbitt BSC with the ALEXA LF, ALEXA Mini LF, and ARRI Rental’s exclusive ALEXA 65 paired with DNA glass. The film includes…

Three ARRI AMIRA Live Cameras, Fujinon PL Box Lens, and Canon PL 25-250, to Livestream the World Karate Championships

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Yossy Mendelovich

2023-11-03

Educate

2 mins read

Two cool items for Friday: Cinematic Broadcasting, and Karate. ARRI has announced that the AMIRA Live cameras paired with powerful cinema-broadcast lenses (FUJINON 25-1000mm PL Box lens, Canon PL 25-250, and Canon…

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

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Yossy Mendelovich

2023-10-27

Educate

4 mins read

Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…

ARRI Training: Learn How to Disassemble the ALEXA 35

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Yossy Mendelovich

2023-10-24

Educate

2 mins read

ARRI has announced a new online course by ARRI Academy. The course is called “ARRI Advanced Service Training for ALEXA 35″. The online course certifies you to dissemble and fix problems that…

This Is The Sensor of the ‘Big-Sky’ Camera

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Yossy Mendelovich

2023-10-23

Educate

5 mins read

Do you remember the ‘Big Sky’ camera? That’s the camera that shoots for the Sphere platform in Las Vegas. It’s armed with a huge (9.92 cm × 8.31 cm) 316MP, HDR CMOS…

Shooting Like Gareth Edwards: Building ‘The Creator’ FX3 Rig

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Yossy Mendelovich

2023-10-22

Educate

2 mins read

Filmmaker Jonathan Palfrey has published a cool educating video that demonstrates how to build ‘The Creator’ Sony FX3 gimbal rig, which is very similar rig to what director Gareth Edwards used. Simple…

Joker: Folie à Deux Will Be Another ARRI 65 Masterpiece

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Yossy Mendelovich

2023-10-18

Educate

2 mins read

Although there’s no trailer for the sequel of the 2019 film ‘Joker’, titled Joker: Folie à Deux, we are pretty sure it will be an absolute masterpiece, not less than the first…

Educate - Page 6

Shooting a Movie on a Data Rate of 32 Gigabits Per Second

Shooting a Micro-Budget Independent Production, but Getting an Awe-Inspiring Million Dollar Result

The Challenging Relationship Between Cameras and LED Walls: A White Paper

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

Three ARRI AMIRA Live Cameras, Fujinon PL Box Lens, and Canon PL 25-250, to Livestream the World Karate Championships

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

ARRI Training: Learn How to Disassemble the ALEXA 35

This Is The Sensor of the ‘Big-Sky’ Camera

Shooting Like Gareth Edwards: Building ‘The Creator’ FX3 Rig

Joker: Folie à Deux Will Be Another ARRI 65 Masterpiece

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