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DaVinci Resolve 18.6: TensorRT Elevates AI Performance by 50%

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2023-10-19

News

1 min read

It’s worth mentioning that version 18.6 of DaVinci Resolve owns the TensorRT acceleration capability, which allows an elevation of AI performance by 50%. It’s relevant only for NVIDIA GPUs (not Mac computers).…

Napoleon’s Fight Scenes: 300 Men, 100 Horses, 11 Cameras

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Yossy Mendelovich

2023-10-17

Discuss

3 mins read

Ridley Scott’s ‘Napoleon’ has become the anticipated movie of the year. The film stars Oscar-winner Joaquin Phoenix and was shot by the legendary cinematographer and Ridley’s cinematic partner, Dariusz Adam Wolski. The…

Why Does Canon Cinema EOS Fail in Narrative Filmmaking?

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Yossy Mendelovich

2023-10-11

Discuss

4 mins read

“Not even one Canon camera in that list,” said the readers right after we published the Emmy 2023 Camera Chart, showing zero Canon cameras used to shoot this year’s Emmy cinematography nominees.…

Shooting a Blockbuster With the Sony FX3 - A Rare Inside Look of The Creator’s DITs

Shooting a Blockbuster With the Sony FX3: A Rare Inside Look by The Creator’s DITs

by

Yossy Mendelovich

2023-10-06

Educate

7 mins read

In this article, we’re getting a technical deep dive into the preparation of the Sony FX3 for The Creator shoot. Teevarit Pirompapachoke – DIT and data wrangler in the Thailand unit, shares…

An Opinion: It’s Time to Minimize Green Screens and Shoot on Real Locations

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Yossy Mendelovich

2023-10-05

Discuss

2 mins read

After the BTS ‘leak’ of Deadpool 3, the director Shawn Levy admitted that he would want to minimize green screens and shoot this MCU film in real locations. Does it sound familiar?…

The Tools That Created ‘The Creator’: Sony FX3, Ronin RS2, Atomos Ninja, Kowa 75mm Anamorphic, and ProRes RAW

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Yossy Mendelovich

2023-09-30

Educate

5 mins read

In a short but intriguing interview held by Digital Cinema Report, ‘The Creator’ DP, Oren Soffer, elaborated on the making. As explained by the film director Gareth Edwards regarding the guerrilla-style filmmaking…

RED V-Raptor Goes Face-Tracking-Auto-Focus

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Yossy Mendelovich

2023-09-28

News

2 mins read

RED Digital Cinema has released the new firmware for its DSMC3 flagship, V-Raptor VV 8K camera. One of the major features is the Face Tracking Auto Focus (alpha form). That’s an indication…

Blackmagic Cinema Camera 6K: Test Footage

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Yossy Mendelovich

2023-09-25

Discuss

6 mins read

A week ago, Blackmagic Design announced its first full-frame camera, titled Cinema Camera 6K. We’ve gathered all the test/sample footage and videos shot on the camera, so you can explore them and…

Adobe: “Premiere Pro Is Now X5 Faster”

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Yossy Mendelovich

2023-09-21

News

4 mins read

Adobe tries hard to mitigate the main Achilles Heel of its NLE which is Premiere Pro. That would be the speed and reliability of the software. At IBS 2023, Adobe used all…

Kinefinity’s IBC 2023 Showcase: Live Cinema Broadcast Camera, Mark 2, SideGrip, and Firmware

by

Yossy Mendelovich

2023-09-20

News

3 mins read

At the 2023 IBC Show, Kinefinity showcased all major products: its flagship camera, the MAVO Edge 6K, along with the newly released MAVO mark2 S35 and MAVO mark2 LF cameras, the brand-new…

apple - Page 15

DaVinci Resolve 18.6: TensorRT Elevates AI Performance by 50%

Napoleon’s Fight Scenes: 300 Men, 100 Horses, 11 Cameras

Why Does Canon Cinema EOS Fail in Narrative Filmmaking?

Shooting a Blockbuster With the Sony FX3: A Rare Inside Look by The Creator’s DITs

An Opinion: It’s Time to Minimize Green Screens and Shoot on Real Locations

The Tools That Created ‘The Creator’: Sony FX3, Ronin RS2, Atomos Ninja, Kowa 75mm Anamorphic, and ProRes RAW

RED V-Raptor Goes Face-Tracking-Auto-Focus

Blackmagic Cinema Camera 6K: Test Footage

Adobe: “Premiere Pro Is Now X5 Faster”

Kinefinity’s IBC 2023 Showcase: Live Cinema Broadcast Camera, Mark 2, SideGrip, and Firmware

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