You searched for alexa 35 - Page 18 of 30

Atomos has Developed a “World Class” 8K Camera Sensor

by

2022-10-31

News

3 mins read

A quiet yet important announcement from Atomos — It appears that the company has developed its own 8K video camera sensor. Atomos defines this new in-house 8K sensor as “World Class” and…

The Cameras Behind Emmys 2022: Sony VENICE Goes Head to Head With ARRI Mini

by

Yossy Mendelovich

2022-08-15

Discuss

3 mins read

IndieWire has published its annual survey regarding the 74th Emmy cinematography nominees. As the tradition calls, Y.M.Cinema Magazine has transformed this data into camera charts, which show us that the Sony VENICE…

Filmed For IMAX Vs. Shot With IMAX: What’s Better?

‘Filmed For IMAX’ Vs. ‘Shot With IMAX’: Which is Better?

by

Yossy Mendelovich

2022-06-22

Discuss

3 mins read

The movie poster of the upcoming Jordan Peele’s NOPE, reveals an interesting phrase — “Shot With IMAX Film Cameras”, as opposed to Top Gun: Maverick’s poster — “Filmed For IMAX”. What’re the…

Wide-Angle Anamorphic Comparison by Atlas

by

Yossy Mendelovich

2022-06-02

Compare

2 mins read

Wide anamorphic lenses are quite rare. Nevertheless, Atlas has published a beautiful comparison between its two most recent lenses: 25mm and 21mm. Check it out below. BTW, the 21mm is now available…

Clairmont ISCO 140-420mm T2.7. Picture: Cole Cyccone

This Super Cool Full-Frame Cinema Zoom Lens Is For Sale

by

Yossy Mendelovich

2022-05-06

Footnote

3 mins read

Explore this neat piece of glass, Clairmont ISCO 140-420mm T2.7 PL full-frame lens that is for sale. We found it on the JUST CINEMA LENSES FB group and have decided to share…

Atlas Introduces the Orion 21mm X2 Anamorphic Cinema Lens

by

Yossy Mendelovich

2022-04-21

News

2 mins read

Just got an email from Atlas Lens Co. They expand their wide-angle x2 Anamorphic solutions with a brand new 21mm Orion. Atlas says the Orion 21mm is the world’s widest front anamorphic…

ARRI Showreel 2022: All Cameras, All Formats

by

Yossy Mendelovich

2022-04-06

Educate

2 mins read

ARRI has published its latest and most comprehensive showreel. On this very thorough (over 12 minutes) reel, ARRI pays tribute to filmmakers who used its cameras, from Super 35 to full-frame and…

“Large Format Look”: There’s No Such Thing!

by

Yossy Mendelovich

2022-04-04

Educate

6 mins read

In this article, we’re contradicting almost everything we said and thought about the ‘Large Format Look’, at least regarding the connection between sensor size and depth of field. Factors affected like shallower…

Sundance 2022 Cinematography: Combining Film Emulation With Modern Cinema Camera. Picture: Panavision

Sundance 2022 Cinematography: Combining Film Emulation With Modern Cinema Cameras

by

Yossy Mendelovich

2022-02-02

Educate

3 mins read

Sundance Official Selection – Palm Trees and Power Lines, was directed by Jamie Dack and shot by cinematographer Chananun Chotrungroj on the Panavision DXL-M. However, in order to emphasize the authenticity of…

The Cameras Behind Sundance Film Festival 2022

by

Yossy Mendelovich

2022-01-27

Discuss

4 mins read

We wish this chart was more interesting to explore. Unfortunately, it’s pretty boring. Nevertheless, here is it. IndieWire continues with its fascinating tradition to reveal the cameras and lenses that shot Sundance…

alexa 35 - Page 18

Atomos has Developed a “World Class” 8K Camera Sensor

The Cameras Behind Emmys 2022: Sony VENICE Goes Head to Head With ARRI Mini

‘Filmed For IMAX’ Vs. ‘Shot With IMAX’: Which is Better?

Wide-Angle Anamorphic Comparison by Atlas

This Super Cool Full-Frame Cinema Zoom Lens Is For Sale

Atlas Introduces the Orion 21mm X2 Anamorphic Cinema Lens

ARRI Showreel 2022: All Cameras, All Formats

“Large Format Look”: There’s No Such Thing!

Sundance 2022 Cinematography: Combining Film Emulation With Modern Cinema Cameras

The Cameras Behind Sundance Film Festival 2022

Get the best of filmmaking!

Recent Posts

Categories

Get the best of filmmaking!