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The Foggy Future of IMAX Film Cameras

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2024-06-04

Discuss

3 mins read

Doing the math, it seems that IMAX film cameras have a foggy and unknown future. The next generation of IMAX film cameras is delayed, and the demand for shooting 15-perf has significantly…

RED. The End?

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Yossy Mendelovich

2024-03-07

Discuss

4 mins read

As you may have heard, Nikon acquired 100% of the outstanding membership interests of RED.com. This is a move nobody has anticipated. In our opinion, we don’t get it. It seems like…

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

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Yossy Mendelovich

2023-12-13

Discuss

2 mins read

How does the ARRI ALEXA 35 perform against the Sony FX6? Well, it’s not a real match, just a fun comparison made by Linus from ShortCircuit. That’s a cool piece for those…

Utilizing Super Large Sensors for Science

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Yossy Mendelovich

2023-12-05

Discuss

3 mins read

In an article titled “Inside the Tech Creating the Las Vegas Sphere’s Groundbreaking Visuals” by the WSJ, Sphere Entertainment states about its plans to utilize its Big Sky camera for scientific applications,…

Extreme Cinematography With the RED V-Raptor and FUJINON Premista

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Yossy Mendelovich

2023-10-25

Discuss

2 mins read

Check out this (another) extreme cinematography project by director AJ Bleyer. Again, Bleyer was shooting inside an airplane, but this time he chose the RED Raptor and FUJINON Premista wide cine-zoom lens…

Face-Tracking-Auto-Focus Comes to RED Komodo-X

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Yossy Mendelovich

2023-10-18

News

2 mins read

The ultra-requested Face Detection Auto Focus comes to the RED Komodo-X as well. Just after the V-Raptor got it, it was the turn of its smaller brother. Furthermore, the RED CEO announced…

Why Does Canon Cinema EOS Fail in Narrative Filmmaking?

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Yossy Mendelovich

2023-10-11

Discuss

4 mins read

“Not even one Canon camera in that list,” said the readers right after we published the Emmy 2023 Camera Chart, showing zero Canon cameras used to shoot this year’s Emmy cinematography nominees.…

The Cameras Behind Emmy 2023: Sony VENICE Leads, and Kinefinity Enters the List

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Yossy Mendelovich

2023-10-04

Discuss

4 mins read

IndieWire reached out to the cinematography nominees for the 75th Emmy Awards (Emmys). Once again, we used the data to build a chart and find tendencies. It seems that Sony takes the…

FUJIFILM GFX100 II: The 2nd Largest Sensor Behind ALEXA 65

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Yossy Mendelovich

2023-09-13

Discuss

5 mins read

FUJIFILM has introduced its new flagship, the GFX100 II. This camera is NOT defined as Mark II, but a completely new camera with a newly designed medium format and fast sensor that…

Behind the scenes of The Flash: Henry Braham, BSC with the Stabileye Nano. Source: RED Digital Cinema and Warner Bros Pictures

Stabileye Nano: The Weapon of Choice of Henry Braham, BSC

by

Yossy Mendelovich

2023-08-15

Educate

3 mins read

The Flash was shot by Henry Braham, BSC on the RED Monstro and Ranger Monstro 8K VV. Braham, as usual, utilized one of the most intriguing stabilizers of the market. Here’s what…

dsmc2 - Page 2

The Foggy Future of IMAX Film Cameras

RED. The End?

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

Utilizing Super Large Sensors for Science

Extreme Cinematography With the RED V-Raptor and FUJINON Premista

Face-Tracking-Auto-Focus Comes to RED Komodo-X

Why Does Canon Cinema EOS Fail in Narrative Filmmaking?

The Cameras Behind Emmy 2023: Sony VENICE Leads, and Kinefinity Enters the List

FUJIFILM GFX100 II: The 2nd Largest Sensor Behind ALEXA 65

Stabileye Nano: The Weapon of Choice of Henry Braham, BSC

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