It’s a well-known fact that Nikon wants to conquer the cinema world and develop high-end cinema lenses. Nikon is known as a still-camera-manufacturer, however, a long time ago it developed cinema lenses…
It’s not a secret that Sony’s Cinema Line cameras can be beautifully paired together. In this case study, cinematographer Philip RANG ACS has utilized the BURANO together with the FX3 to get…
In our recent article about the Fujifilm GFX100 II, the camera was paired with a high-end cinema lens (Cooke Anamorphic FF) to shoot in a more controlled professional environment. This time, B&H…
The ALEXA 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from ARRI is among the most popular cameras chosen by Sundance 2024’s filmmakers.…
FUJIFILM has introduced its new flagship, the GFX100 II. This camera is NOT defined as Mark II, but a completely new camera with a newly designed medium format and fast sensor that…
Shooting plates seem to be a simple process. The challenge is mainly focused on choosing the right cameras, and lenses, and assembling the rig. However, which is preferred? Shooting with an array…
Explore one of the first implementations of the RED Digital Cinema V-Raptor as a camera array in aerial cinematography applications. The array of 3 cameras with Zeiss CP.3 lenses was integrated into…
What can we learn about the films that were approved and screened in IMAX theaters in 2021? We’ve made a list, slides, and chart of those 22 ‘IMAX films’ and the cameras…
In this case study by XM2 PURSUIT, a dedicated apparatus was built to lift an ARRI 535B armed with a 1000-foot magazine for beautiful celluloid aerial shots. Read on how they did…
Here’s another intriguing and inspiring project based on the one/single-take/shot strategy. This time it’s a music video featuring Grammy Winner Macy Gray. Directed by Guido Fabris and shot by Lucas Preti on…