It seems that every acclaimed director is trying to do his best to make a ‘practical’ film, that contains low to none of CGI shots. Now it’s the turn of the great…
It appears that it’s not so simple to make an 18K film for the Las Vegas Sphere. You can ask Darren Aronofsky, who is the first filmmaker who shot for the Sphere…
Do you remember the ‘Big Sky’ camera? That’s the camera that shoots for the Sphere platform in Las Vegas. It’s armed with a huge (9.92 cm × 8.31 cm) 316MP, HDR CMOS…
Ridley Scott’s ‘Napoleon’ has become the anticipated movie of the year. The film stars Oscar-winner Joaquin Phoenix and was shot by the legendary cinematographer and Ridley’s cinematic partner, Dariusz Adam Wolski. The…
“Not even one Canon camera in that list,” said the readers right after we published the Emmy 2023 Camera Chart, showing zero Canon cameras used to shoot this year’s Emmy cinematography nominees.…
In this article, we’re getting a technical deep dive into the preparation of the Sony FX3 for The Creator shoot. Teevarit Pirompapachoke – DIT and data wrangler in the Thailand unit, shares…
After the BTS ‘leak’ of Deadpool 3, the director Shawn Levy admitted that he would want to minimize green screens and shoot this MCU film in real locations. Does it sound familiar?…
IndieWire reached out to the cinematography nominees for the 75th Emmy Awards (Emmys). Once again, we used the data to build a chart and find tendencies. It seems that Sony takes the…
In a short but intriguing interview held by Digital Cinema Report, ‘The Creator’ DP, Oren Soffer, elaborated on the making. As explained by the film director Gareth Edwards regarding the guerrilla-style filmmaking…
Slowmotion guru, Max Losito, has modified the ActionMaster high-speed film camera (500 frames per second) to shoot a 2.39:1 native aspect ratio on 16 mm. The image is magnificent. Check it out.…