Based on the Rotten Tomatoes’ critics ratings, we built a list of the 43 best Netflix original TV shows of 2019. Then we analyzed the cameras behind them to try to find…
We’ve created a camera chart based on the 29 Motion Picture nominees of the 77th Golden Globe Awards. Furthermore, we have built another chart analyzing the segmentation of film vs. digital, which…
After four seasons shooting with the ALEXA and spherical lenses, cinematographer Si Bell and director Anthony Byrne wanted a change. Thus moving to Cooke Anamorphic Primes paired with the RED MONSTRO seemed…
The first trailer for Netflix’s most expensive film was released yesterday. After digging a bit in the film director-Michael Bay’s Instagram, it appears that the RED camera behind 6 underground was the…
What are the main differences between the newly announced RANGER, and the good old DSMC2? Is it possible to define which is better? Does it mean that DSMC3 is just around the…
ARRI posted an update regarding the development, testing, and shipping status of its new camera, the ALEXA Mini LF. According to ARRI, the final version of the camera is scheduled to be…
Our latest articles were focused on the large format glass. We attacked this topic as a result of the growth of sensor sizes, especially in cinema cameras market. Our chart and in-depth…
At the last CineGear, Chrosziel, which is a company that specializes in lens examination, hosted a Lens Projection Master Class dedicated for large format lenses. Read below about how professionals test their…
Rhinestone Blue is the first film shot on the Fujinon Premista large format zoom lens. The camera used was the Sony VENICE. DP Tobias Schliessler, ASC, elaborates on his experience about using…
We sampled more than 40 of the highest ranked Netflix series, and we checked their tech spec on IMDB, to explore the cameras behind them. The results were the opposite of what…