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Why Tyson vs. Paul Should Be Broadcast With Cinema Cameras: The Case for Cinematic Broadcasting

by

2024-11-18

Educate

5 mins read

The Tyson vs. Paul boxing match was a massive global event, drawing millions of viewers eager to witness the spectacle. Yet, its debut on streaming platforms was marred by technical failures, including…

Why Does Canon Cinema EOS Fail in Narrative Filmmaking?

by

Yossy Mendelovich

2023-10-11

Discuss

4 mins read

“Not even one Canon camera in that list,” said the readers right after we published the Emmy 2023 Camera Chart, showing zero Canon cameras used to shoot this year’s Emmy cinematography nominees.…

DZOFILM Introduces the Vespid Retro Cine Lenses

by

Yossy Mendelovich

2022-10-19

News

3 mins read

DZOFILM introduces a unique new glass titled: “Vespid Retro Golden Coating Cine Lens Set” to grant a “Charming amber hue on the stories in the memories” to the imagery you capture. Basically,…

Nikon Denies and Fights Back to RED’s Lawsuit

Nikon Denies and Fights Back RED’s Lawsuit

by

Yossy Mendelovich

2022-09-11

News

4 mins read

It seems there will be no paid royalties on this one. Nikon has just answered RED’s lawsuit, and it denies almost all infringements regarding the compressed raw patents of RED Digital Cinema.…

Sony Large Format CMOS Sensors: Global Shutter vs. Rolling Shutter

by

Yossy Mendelovich

2022-08-23

Educate

2 mins read

Sony has published a video demonstrating the differences between its large format CMOS sensors with Global and Rolling shutters. The video is very straightforward and simple to understand. Explore the key points…

The Patent War for RAW

by

Yossy Mendelovich

2022-08-09

Discuss

4 mins read

What can we learn from RED Digital Cinema’s lawsuits? We’re referring to two lawsuits although there’re more. The most relevant ones are Kinefinity and Nikon. What’re the differences between them? How many…

Z CAM: Does This Powerful Underdog Have a Future?

by

Yossy Mendelovich

2022-07-01

Discuss

4 mins read

Did you know that the American heist action feature film “A Day to Die” was shot entirely on Z CAM E2-F6 and S6? Also, did you know that the E1 model was…

Nikon Z9: 8K N-RAW & DaVinci Resolve 18

by

Yossy Mendelovich

2022-06-16

News

2 mins read

In continuous with our previous video published by Nikon Asia regarding the editing of 8K N-RAW on Grass Valley EDIUS X, this time Nikon France released another video demonstrating the editing and…

RED Sues Nikon Over Infringement of Compressed RAW Patents

by

Yossy Mendelovich

2022-05-27

News

3 mins read

Here we go again. And it was pretty much expected. RED Digital Cinema is suing Nikon regarding the use of the compressed raw video recording capabilities (N-RAW) available on the newly announced…

The ’Compressed RAW’ Revolution

by

Yossy Mendelovich

2022-05-08

Discuss

5 mins read

Will external recorders become history? Most probably, especially those who are dedicated to recording raw via HDMI. When examining the recent releases, it appears that camera manufacturers make decent efforts to bypass…

kinefinity - Page 3

Why Tyson vs. Paul Should Be Broadcast With Cinema Cameras: The Case for Cinematic Broadcasting

Why Does Canon Cinema EOS Fail in Narrative Filmmaking?

DZOFILM Introduces the Vespid Retro Cine Lenses

Nikon Denies and Fights Back RED’s Lawsuit

Sony Large Format CMOS Sensors: Global Shutter vs. Rolling Shutter

The Patent War for RAW

Z CAM: Does This Powerful Underdog Have a Future?

Nikon Z9: 8K N-RAW & DaVinci Resolve 18

RED Sues Nikon Over Infringement of Compressed RAW Patents

The ’Compressed RAW’ Revolution

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