Let’s dive into the RAW, or should I say just ‘raw’. This ultra-educated and very much brilliant video titled “BRAW or ProRes RAW? The Battle of RAW DOMINATION begins..“ was made by…
Netflix has just approved the Sony VENICE 2 8K cinema camera for its original productions. The VENICE 2 is the tenth Sony camera being approved by Netflix. However, it’s an obvious step…
Venus Optics has announced the release of four cine lenses. However, the most interesting one is the Laowa 6mm T2.1 Zero-D MFT Cine, which allows cinematographers to shoot ultra-wide in their MFT…
Panasonic has just announced its new ‘exciting’ GH6. This is an MFT camera, with everything the same as the GH5, just better, faster, higher. The GH6 doesn’t deliver real tidings to filmmakers,…
If you needed any proof that the Panasonic camera division is dying, then search no more. Just watch the Panasonic CES 2022 Press Conference. That presentation takes 54 Minutes long focusing on…
The EVA1 and the flagship VariCam are defined as Panasonic’s Cinema Camera lineup. These cinema cameras have been extensively used by filmmakers, including in high-end productions (Netflix, Hollywood, etc). However, Panasonic has…
Today, Atomos announced the AtomOS 10.71. This update for NINJA V and NINJA V+ monitor-recorder devices introduces ProRes RAW format recording options for the legacy Sony FS series. Furthermore, the update is…
Fujifilm has announced a major firmware update to its flagships, the GFX 100 cameras, that will unlock BRAW (Blackmagic RAW) capabilities from these medium format beasts. Read the company statement below. Fujinon…
The Sony FX6 and Panasonic BGH-1 have won the Red Dot Design Award. In fact, these are the only cinema cameras that took the prize. Among them, there’s a significant appearance of…
The Tokyo Olympics was the perfect stage for the continuous battle: Mirrorless cameras vs. DSLRs. Furthermore, as opposed to the Rio Olympics in 2016, this time a new underdog entered the arena:…