B&H has been testing the Kodak Super 8 camera and released some footage as well. Although at first glance, the footage doesn’t seem to justify the crazy price tag ($5,500), we think…
“Celluloid is alive-and-kicking”. This is our repeatable sentence, but this time was stated by the acclaimed IMAX cinematographer Hoyte Van Hoytema NSC FSF ASC as a part of his speech winning the…
Panavision has introduced a new anamorphic-rental-only lens, the Ultra Panatar II. The lens features a 1.3x squeeze, and a warm-hued flare, and covers a 46mm diagonal. That’s a nice way to celebrate…
IMAX has just released the Twisters (1996 Twister’s sequel) trailer, and it looks awesome. The Twisters movie was shot by legendary Dan Mindel ASC, BSC, SASC purely on film (ARRIFLEX 435, ARRIFLEX…
The cameras that shot the 96th Academy Awards’ Best Picture and Cinematography nominees, include for the first time (in the digital era), an IMAX film camera. Will the “Film in IMAX” movie…
Now, that we have the list of nominees, we can explore the cameras and lenses that shot Best Picture and Cinematography contenders for the 96th Academy Awards. There’s a solid presence of…
It appears (revealed by the Hollywood Reporter) that ‘Top Gun 3’ is in the works at Paramount. Many audiences think that this is a mistake because Top Gun: Maverick was at its…
Filmmaker Patrick Tomasso went to ARRI to ask some challenging questions, to understand the philosophy behind their cameras. We gathered some fascinating insight, but moreover, we understood that it all starts from…
How does the ARRI ALEXA 35 perform against the Sony FX6? Well, it’s not a real match, just a fun comparison made by Linus from ShortCircuit. That’s a cool piece for those…
“Not even one Canon camera in that list,” said the readers right after we published the Emmy 2023 Camera Chart, showing zero Canon cameras used to shoot this year’s Emmy cinematography nominees.…