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Oscars 2024 Lenses: Panavision Rules

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2024-02-13

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3 mins read

Like we did with the cameras, now it’s the lenses’ turn. We made a chart with the lenses used to shoot the Oscars 2024 (96th Academy Awards) Best Picture and Cinematography nominees.…

Will IMAX Film Win an Oscar?

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Yossy Mendelovich

2024-02-05

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3 mins read

The cameras that shot the 96th Academy Awards’ Best Picture and Cinematography nominees, include for the first time (in the digital era), an IMAX film camera. Will the “Film in IMAX” movie…

96th Academy Awards: The Cameras and Lenses

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Yossy Mendelovich

2024-02-01

Educate

2 mins read

Now, that we have the list of nominees, we can explore the cameras and lenses that shot Best Picture and Cinematography contenders for the 96th Academy Awards. There’s a solid presence of…

Dune Part Two: IMAX 70mm Screening at Only 12 Theaters Worldwide

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Yossy Mendelovich

2024-01-31

News

2 mins read

IMAX has published the final list of IMAX 70mm ‘flagship’ theaters that will screen the anticipated Dune: Part Two movie in 1.90:1 and 1.43:1 (select sequences). Unfortunately, it’s a tiny and reduced…

Would You Watch Snyder’s Rebel Moon (Shot Entirely Wide-Open (Anamorphic T1.5)) on 70mm Projection?

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Yossy Mendelovich

2023-12-14

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2 mins read

Zack Snyder‘s space adventure film “Rebel Moon – Part One: A Child of Fire” will be running for one week (Dec. 15-21) in selected 70mm theaters before debuting on Netflix. However, the…

Dune: Part Two Will be Screened in IMAX 70mm (But Shot Digitally)

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Yossy Mendelovich

2023-11-28

Educate

3 mins read

Good news for 70mm enthusiasts — The anticipated Dune: Part Two will be screened in IMAX 70mm (in selected theaters of course). Say ‘Thank You’ to Nolan’s Oppenheimer. But, it was shot…

Sony FX3 Wins “The Best Inventions of 2023” by the TIME

Sony FX3 Wins “The Best Inventions of 2023” by TIME

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Yossy Mendelovich

2023-11-21

News

2 mins read

The Sony FX3 has won “The Best Inventions of 2023” in the “Accessible Filmmaking” category by TIME. The obvious reason: This affordable camera was used as the sole camera to shoot a…

An Apology to the VFX Community

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Yossy Mendelovich

2023-11-20

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5 mins read

This article is devoted to the VFX community. We, at YMCinema want to make an apology to the marvelous artists that were offended by our previous article. Although we didn’t mean to…

“Napoleon” is Another Practical (no CGI) Masterpiece

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Yossy Mendelovich

2023-11-15

Discuss

3 mins read

It seems that every acclaimed director is trying to do his best to make a ‘practical’ film, that contains low to none of CGI shots. Now it’s the turn of the great…

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

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Yossy Mendelovich

2023-10-27

Educate

4 mins read

Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…

Oppenheimer - Page 4

Oscars 2024 Lenses: Panavision Rules

Will IMAX Film Win an Oscar?

96th Academy Awards: The Cameras and Lenses

Dune Part Two: IMAX 70mm Screening at Only 12 Theaters Worldwide

Would You Watch Snyder’s Rebel Moon (Shot Entirely Wide-Open (Anamorphic T1.5)) on 70mm Projection?

Dune: Part Two Will be Screened in IMAX 70mm (But Shot Digitally)

Sony FX3 Wins “The Best Inventions of 2023” by TIME

An Apology to the VFX Community

“Napoleon” is Another Practical (no CGI) Masterpiece

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

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