One of the most anticipated cameras to be accepted by Netflix has just been approved. Yes- the Canon EOS R5 C has entered the prestige list of one of the authorized main…
RED has removed the DSMC2 brains from its online store on RED.com. That means these cameras can’t be purchased anymore on the RED Digital Cinema website. Meanwhile, DSMC2 users are asking for…
Adobe has launched ‘Camera to Cloud’ (Beta) for RED V-Raptor cameras, which means you can shoot 8K RAW straight to the cloud with no additional hardware. The only limitation is that a…
James Gunn’s Guardians of the Galaxy Vol. 3 returns. The film was shot on RED V-Raptor by the RED shooter, Henry Braham, BSC. IMAX categorized the film as “Filmed for IMAX” and…
In the next firmware, RED Komodo shooters will get tons of new and exciting stuff. First, the Gio Scope is back (false color straight from the sensor), a new low compression option…
Super 35 can be used as a professional synonym for broadcasting and wildlife cinematography. As proof, RED Digital Cinema has called its new S35 8K camera, RHINO. RED wants to simplify the…
The Super 35 version of the RED V-Raptor has landed. The S35 Raptor (nicknamed RHINO) owns a smaller sensor than the Komodo, but with more resolution, in order to mitigate vignetting. The…
Sony introduces the FX30 which is its latest edition to the Cinema Line. However, this time the sensor is not full-frame, but Super 35. Hence, the definition of the Cinema Line has…
Cinematographer and director Mark Toia shares with us his thoughts and insights on why to choose RED cameras over other cinema cameras. In his stunning video, the advantages of the RED V-Raptor…
Yeah, he likes to shoot wide-open, and with a very special glass. Netflix’s Rebel Moon directed (and shot) by Zack Snyder will have a very distinctive look. Zack uses a specially made…