If we analyze the news related to Nikon, we might guess that the company is eager to get some of the filmmakers’ market share. The Filmmaker’s Kit, RAW output and the new…
No, this is not a new RED’s sensor swap/ upgrade, but an exceptional brilliant experiment that anyone can do at home. The nerdy mind of Nikolas Moldenhauer has invented this. This video…
It’s always great to explore new Hollywood movie that was shot on a cheap camera. Cheap in term of money, not in term of image quality. The new Hollywood thriller “The Possession…
As you all know, RED announced a “new” sensor: The RED Dragon-X, which is sitting underneath the Gemini 5K sensor. It’s a kind of a low cost member of the unified DSMC2…
This is an absolutely worthwhile deal from our partners B&H. As we have been searching for the best holiday deals, we stumbled upon this gem. Rokinon Xeen 16mm T2.6 cinema lens is…
Vision Research introduces two new members of the compact and more affordable Phantom VEO family: The E-310L and E-340L. The VEO-E constitutes a budget friendly solution for industrial, research applications and film…
With all the respect to DJI’s new drones, there is another major announcement for the filmmakers community – The (very affordable) price of the large format cinema camera. Large format is a…
The guys at Zacuto have put together a cool industry discussion forum in the goal to decide what is more preferable: To buy a camera gear or to rent it. Here are…
It’s time! Finally! ARRI AMIRA owners can now make use of one of the best camera output out there: The ARRIRAW. ARRI is allowing (finally!) to AMIRA operators the ability to record in…