In the next firmware, RED Komodo shooters will get tons of new and exciting stuff. First, the Gio Scope is back (false color straight from the sensor), a new low compression option…
Super 35 can be used as a professional synonym for broadcasting and wildlife cinematography. As proof, RED Digital Cinema has called its new S35 8K camera, RHINO. RED wants to simplify the…
The Super 35 version of the RED V-Raptor has landed. The S35 Raptor (nicknamed RHINO) owns a smaller sensor than the Komodo, but with more resolution, in order to mitigate vignetting. The…
Sony introduces the FX30 which is its latest edition to the Cinema Line. However, this time the sensor is not full-frame, but Super 35. Hence, the definition of the Cinema Line has…
Cinematographer and director Mark Toia shares with us his thoughts and insights on why to choose RED cameras over other cinema cameras. In his stunning video, the advantages of the RED V-Raptor…
Yeah, he likes to shoot wide-open, and with a very special glass. Netflix’s Rebel Moon directed (and shot) by Zack Snyder will have a very distinctive look. Zack uses a specially made…
Here’s a fun item firstly posted by the South China Morning Post. The five-year-old daughter of a Chinese cinematographer utilized the RED V-Raptor camera to shoot a wildlife project as part of…
Explore this behind-the-lens mitigation, defined by RED as “Glare Guard”. It looks like a flat matte surface installed in front of the V-Raptor Vista Vision sensor. RED V-Raptor’s Flare-Guard The ‘Flare-Guard’ seems…
RED has announced an S35 (Super 35) version of its flagship, the V-Raptor. This camera is still being tested by RED. Furthermore, the shipping of the Raptor XL will begin in August.…
RED has announced a fix to one of the most common issues in the V-Raptor, which is the Locking Ring’s malfunction. RED says it has reinforced the V-Raptor lens mount to be…