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Watch: Mercedes Commercial Shot on the BMPCC6K

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2020-11-06

Discuss

3 mins read

Cinematographer Matteo Bertoli shares with us the BTS footage and tips and tricks, on how he utilized the magical simplicity of its BMPCC6K to shoot an official Mercedes commercial, and how to…

Mank BTS: The RED Monstrochrome. Picture: Nikolai Loveikis

Mank’s Behind The Scenes Footage Reveal Outstanding Monochrome Imagery

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Yossy Mendelovich

2020-10-26

Educate

2 mins read

Shot on the RED Monstrochrome, Mank was aimed to be a pure black and white masterpiece. Now behind the scenes stills (and videos) reveal the art of the monochrome. Explore it below.…

Meet the ACHTEL 9×7 Digital Cinema Camera: An “IMAX Mini” That Shoots 18.6K RAW

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Yossy Mendelovich

2020-09-14

News

5 mins read

A new cinema camera has been announced by cinematographer Pawel Achtel ACS. The ACHTEL 9×7 is a mini cinema camera that can shoot freaking ultra-huge resolution of uncompressed 18.K RAW (65 MP),…

Ozark cinematography (season 3): DP Armando Salas, ASC and DP Ben Kutchins. Camera: Sony VENICE. Lenses: Leica R.

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

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Yossy Mendelovich

2020-08-04

Educate

3 mins read

What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…

The Cameras Behind 72nd Emmy Awards’ Outstanding Cinematography Nominees: Sony VENICE Leads the way

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Yossy Mendelovich

2020-07-30

Educate

2 mins read

As our tradition requires, we’ve built a chart of the main cameras used by the 72nd Emmy Awards’ Outstanding Cinematography Nominees. For the first time, SONY leads the way with its marvelous…

Venus Optics Presents 3 new Compact, Zero-Distorted, and Affordable Ultra Wide Cine Lenses

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Yossy Mendelovich

2020-06-22

News

3 mins read

Venus Optics unveiled 3 new ultra-wide cine lenses (7.5mm, 9mm, and 15mm) for Micro Four Thirds, Super 35, and Full-frame cinema cameras respectively. The main characteristics are Compact size, zero-distortion, and affordability.…

Sundance Film Festival 2020 - Lens Manufacturers Chart

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

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Yossy Mendelovich

2020-01-31

Discuss

4 mins read

We’ve collected the data regarding the lenses been used on Sundance Film Festival 2020 films to try and find a new trend and/or intriguing conclusions. First, Cooke is killing it. Second, we’re…

The lenses that used to shoot Oscar 2020 nominees

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

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Yossy Mendelovich

2020-01-23

Discuss

2 mins read

We accumulated the data regarding the lenses used to shoot 92nd Academy Awards nominees for Best Pictures and Cinematography. Let’s see if you can explore some significant tendency, compared to last year’s…

The cameras that used to shoot the Oscar 2020 nominees

The Cameras Behind Oscar 2020: Film Made a Comeback and RED Enters the List

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Yossy Mendelovich

2020-01-16

Educate

3 mins read

Here are the cameras and lenses that shot Oscar 2020 Best Picture and Cinematography nominees. Now we have one RED Helium in the list (The Irishman) and a decent presence of film…

The RED Monstrochrome: Monstro 8K Monochrome

The RED Monstrochrome is Being Used by David Fincher to Shoot a Feature

by

Yossy Mendelovich

2020-01-01

News

2 mins read

The upcoming feature film Mank directed by David Fincher is being shot by RED specially made black and white camera — The RED Monstro Monochrome (Monstrochrome). The Monstrochrome: A mysterious black and…

leica - Page 7

Watch: Mercedes Commercial Shot on the BMPCC6K

Mank’s Behind The Scenes Footage Reveal Outstanding Monochrome Imagery

Meet the ACHTEL 9×7 Digital Cinema Camera: An “IMAX Mini” That Shoots 18.6K RAW

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

The Cameras Behind 72nd Emmy Awards’ Outstanding Cinematography Nominees: Sony VENICE Leads the way

Venus Optics Presents 3 new Compact, Zero-Distorted, and Affordable Ultra Wide Cine Lenses

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

The Cameras Behind Oscar 2020: Film Made a Comeback and RED Enters the List

The RED Monstrochrome is Being Used by David Fincher to Shoot a Feature

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