So we saw Joker 2 (Joker: Folie à Deux), and it was outstanding. WE LOVED IT! The visuals are just stunning, and we praise Lawrence Sher for that. He chose just right…
In a podcast called “The Making Of” on the making of “Joker: Folie à Deux,” DP Lawrence Sher, ASC, shared some intriguing facts regarding the cameras chosen to shoot the movie. It…
No. It’s not IMF (Impossible Mission Force), but SMF (Soviet Medium Format). Yes, another lens is being developed for the ultra-anticipated URSA 65 and its bigger sister – the ARRI 65. Originally…
Joker 2 (Joker: Folie à Deux) is a cinematic masterpiece. The camera that created it is the acclaimed ARRI ALEXA 65. However, the magical lens that shot it is the mighty MasterBuilt…
Are you eager to watch Joker: Folie à Deux at a real IMAX 70mm theater? Look no further. Joker 2 will be screened on pure 15/70 celluloid in 11 global IMAX locations…
Following the success of the mighty 70mm celluloid in Oppenheimer and Dune Part Two, IMAX CEO confirms that Joker 2 (“Joker: Folie à Deux”) will also be screened in 70mm theaters. However,…
ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. We’ve gathered a few interesting facts. Cameras, lenses,…
The cameras that shot the 96th Academy Awards’ Best Picture and Cinematography nominees, include for the first time (in the digital era), an IMAX film camera. Will the “Film in IMAX” movie…
There seems to be a love story between RED and ARRI, as they have partnered together to develop a custom Raptor XL, especially for ARRI Rental’s acclaimed DNA lenses. This collaboration was…
Why hasn’t Sony released a high-end cinema camera armed with a medium format sensor? There’s no doubt that Sony can do that. This camera could be a game changer in cinematography and…