ARRI Mini LF Archives - Page 2 of 3

The Cameras That Shot 2023 Golden Globe Winners

by

2023-01-15

Discuss

2 mins read

The ARRI Mini LF strikes again. In fact, the winners of the 2023 Golden Globe Awards were shot only on ARRI and Panavision cameras. The dominant camera is the ultra-popular Mini LF.…

Oscars 2023: The Cameras Behind Best Picture and Cinematography Predicted Nominees

by

Yossy Mendelovich

2023-01-05

Discuss

3 mins read

As YMCinema’s tradition dictates, it is time for the Oscars’ camera segmentation. We made a list of the cameras that shot the Oscars 2023 (95th Academy Awards) prominent films. That means the…

ARRI Drops Some Hints on the Next ALEXA S35 4K Camera

by

Yossy Mendelovich

2022-03-11

News

2 mins read

The next ARRI Super 35 4K camera will have “Existing image quality improvements” (more bit-depth, higher FPS, and resolution) says ARRI in a new Tech Talk video explaining its B-Mount 24V battery…

Oscars 2022: The Cameras

by

Yossy Mendelovich

2022-01-13

Discuss

6 mins read

These are the cameras (and lenses) that were used to shoot 29 films that are contending of the 94th Academy Awards (Oscars 2022). The charts, schemes, and pictures were crafted by Y.M.Cinema…

ALEXA Mini LF Recording Formats Poster Pack – FREE Download

by

Yossy Mendelovich

2021-12-21

Educate

1 min read

ARRI has published a very useful piece of educational info. The ALEXA mini LF Recording Formats Poster Pack is an “easily-digestible” poster with visual aids to help clarify the recording format size,…

ALEXA Mini LF: The Freedom to Choose Your Desired Format

by

Yossy Mendelovich

2021-09-06

Educate

5 mins read

With the availability of the new ALEXA Mini LF SUP 7.1, this would be a smart opportunity to overview and elaborate on what the ARRI ALEXA Mini LF has to offer to…

Roger Deakins Talks About Lenses: Spherical Primes Preferred

by

Yossy Mendelovich

2021-08-06

Discuss

2 mins read

In this cool episode by StudioBinder, We’re getting exposed to Roger Deakins’s preferences regarding cinema lenses. To sum it up within a sentence: Primes preferred, clean look (no breathing, no vignetting, and…

BTS of DP Roger Deakins, Charlie Rizek and the ARRI Trinity in 1917. Picture: Francois Duhamel. Universal Pictures

Listen to Team Deakins Podcast About ARRI Trinity and the Camera Movements Behind “1917”

by

Yossy Mendelovich

2020-09-01

Educate

3 mins read

An educational gem was found. On this podcast, cinematographer Roger Deakins and his wife, James, discuss with Trinity operator Charlie Rizek about the camera movements behind 1917, and how the ARRI Trinity…

Roger Deakins Summarizes the Making of 1917

by

Yossy Mendelovich

2020-02-23

Educate

3 mins read

1917 which is the winner of Oscar 2020’s Best Cinematography, was shot by Roger Deakins on the ALEXA Mini LF with Signature Prime lenses. Let’s hear what Deakins has to say about…

Netflix vs. Oscar: Modernization vs. Conservation of Image Capture

by

Yossy Mendelovich

2020-01-22

Discuss

9 mins read

After analyzing the cameras behind Netflix and Oscar’s most rated creations, we definitely can explore an inclination toward DPs’ preferences. But why is that? Let’s discuss this a bit. This is the…

ARRI Mini LF - Page 2

The Cameras That Shot 2023 Golden Globe Winners

Oscars 2023: The Cameras Behind Best Picture and Cinematography Predicted Nominees

ARRI Drops Some Hints on the Next ALEXA S35 4K Camera

Oscars 2022: The Cameras

ALEXA Mini LF Recording Formats Poster Pack – FREE Download

ALEXA Mini LF: The Freedom to Choose Your Desired Format

Roger Deakins Talks About Lenses: Spherical Primes Preferred

Listen to Team Deakins Podcast About ARRI Trinity and the Camera Movements Behind “1917”

Roger Deakins Summarizes the Making of 1917

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