ARRI Archives - Page 11 of 21 - Y.M.Cinema Magazine

Oscars 2022: The Cameras

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2022-01-13

Discuss

6 mins read

These are the cameras (and lenses) that were used to shoot 29 films that are contending of the 94th Academy Awards (Oscars 2022). The charts, schemes, and pictures were crafted by Y.M.Cinema…

Cinema Lenses: ARRI Talks About its Signature Glass (Primes and Zooms)

by

YMCinema

2021-12-30

Educate

3 mins read

Here’re the key points and highlights of the ARRI presentation, as part of the DCS (Digital Cinema Society) discussion, about the “Focus On Cine Lenses From the Buyer’s POV”. Art Adams, which…

ALEXA Mini LF Recording Formats Poster Pack – FREE Download

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YMCinema

2021-12-21

Educate

1 min read

ARRI has published a very useful piece of educational info. The ALEXA mini LF Recording Formats Poster Pack is an “easily-digestible” poster with visual aids to help clarify the recording format size,…

VENICE 2 Cinema Camera: Q&A by Sony

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YMCinema

2021-12-12

Educate

5 mins read

Sony has published a useful Q&A page explaining its new VENICE 2 8.6K cinema camera and its similarities and dissimilarities regarding the VENICE (1) and Alpha cameras. This page is a must…

Watch: BMW Commercial Shot in 1989 by the ARRIFLEX 765

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YMCinema

2021-12-07

Educate

3 mins read

Well, this is a real gem for cinephiles. ARRI Rental has published BTS photos of BMW commercial shot in 1989 on the brand new (back then) ARRIFLEX 765. Explore these amazing BTS…

Dune Was Shot on ALEXA LF, Transferred to 35mm Film, Then Scanned Back to Digital

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YMCinema

2021-12-03

Educate

3 mins read

The process of making Dune was pretty novel in terms of creating the imagery. The movie was shot digital (on the ARRI ALEXA LF and Mini LF), then was transferred to 35mm…

A Tribute to the Phantom 65: World’s First 65mm Digital Cinema Camera

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YMCinema

2021-11-29

Educate

3 mins read

No, this is NOT a new camera. The Phantom 65 was developed by Vision Research back in 2008 as the world’s first 65mm digital cinema camera. The camera was utilized as one…

RED Raptor’s Stitched Sensor Shows Artifacts

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YMCinema

2021-11-28

Discuss

7 mins read

RED V-Raptor shooters revealed unwanted artifacts of a line from top to bottom that appeared in their footage. It gave the impression that this line is the split of the stitched sensors…

Watch: Absolutely Stunning Commercial Shot by ‘Flying’ DP With an ARRIFLEX 235 and Master Prime 14mm

by

YMCinema

2021-11-21

Discuss

1 min read

The new Burberry commercial demonstrates a new/old approach to modern cinematography. Instead of green screens, the DP was strapped to cables flying together with the actors. Moreover, the project was shot on…

ARRIFLEX 765: A Small Tribute to a Big Camera

by

YMCinema

2021-11-13

Educate

3 mins read

ARRI Rental has launched a mini-site dedicated to one of the most intriguing and magical cameras on the planet – The ARRIFLEX 765. What do we know about this big piece of…

ARRI - Page 11

Oscars 2022: The Cameras

Cinema Lenses: ARRI Talks About its Signature Glass (Primes and Zooms)

ALEXA Mini LF Recording Formats Poster Pack – FREE Download

VENICE 2 Cinema Camera: Q&A by Sony

Watch: BMW Commercial Shot in 1989 by the ARRIFLEX 765

Dune Was Shot on ALEXA LF, Transferred to 35mm Film, Then Scanned Back to Digital

A Tribute to the Phantom 65: World’s First 65mm Digital Cinema Camera

RED Raptor’s Stitched Sensor Shows Artifacts

Watch: Absolutely Stunning Commercial Shot by ‘Flying’ DP With an ARRIFLEX 235 and Master Prime 14mm

ARRIFLEX 765: A Small Tribute to a Big Camera

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