ARRI Archives - Page 11 of 19 - Y.M.Cinema Magazine

Netflix’s ‘Into the Night’: Low-Light Cinematography Led by DP Magdalena Gorka

by

2021-09-20

Educate

4 mins read

Since the second season of Netflix’s ‘Into the Night’ was premiered a few days ago, we’d like to take this opportunity to talk about the making. The second season was shot by…

ALEXA Mini LF: The Freedom to Choose Your Desired Format

by

Yossy Mendelovich

2021-09-06

Educate

5 mins read

With the availability of the new ALEXA Mini LF SUP 7.1, this would be a smart opportunity to overview and elaborate on what the ARRI ALEXA Mini LF has to offer to…

“V” for Velocity: Thoughts About RED’s New 8K Large Format Camera

by

Yossy Mendelovich

2021-09-02

Discuss

4 mins read

Yesterday was an exciting day for R3D lovers. A completely new high-end (‘flagship’) RED camera was introduced, the V-Raptor, which is RED’s first DSMC3. The Raptor can be defined as hybridization between…

Emmy 2021’s Cameras: Large Format Rules

by

Yossy Mendelovich

2021-08-30

Discuss

2 mins read

Thanks to IndieWire, its fascinating survey clearly shows us the domination of the large sensors, over the well-respected and traditional Super 35mm format. We analyzed the data and make a chart that…

ETERNALS: The First MCU Film to be Shot Indie-Style?

by

Yossy Mendelovich

2021-08-24

Discuss

2 mins read

The Marvel Studios’ Eternals final trailer has been released. Now it’s time to discuss a bit regarding the cinematography behind it. Eternals was directed by the awards winning director, Chloé Zhao (Nomadland),…

ARRI 16-32mm Signature Zoom Prototype

by

Yossy Mendelovich

2021-08-18

Educate

2 mins read

As a part of the “Prototype Day” series held by Dynamic Rentals, which examines prototypes high-end models of cinema cameras and lenses, this time the ARRI 16-32mm T2.8 Signature Zoom was presented.…

Roger Deakins Talks About Lenses: Spherical Primes Preferred

by

Yossy Mendelovich

2021-08-06

Discuss

2 mins read

In this cool episode by StudioBinder, We’re getting exposed to Roger Deakins’s preferences regarding cinema lenses. To sum it up within a sentence: Primes preferred, clean look (no breathing, no vignetting, and…

Cannes Film Festival 2021’s Lenses: A Lot of Optics!

by

Yossy Mendelovich

2021-07-13

Discuss

6 mins read

We analyzed IndieWire’s survey regarding the cameras and lenses used to shoot more than 50 selected features premiering at Cannes 2021. Cooke leads the way. Angenieux is the second most used optics,…

Used ARRI ALEXA Classic Found on Adorama for $6,100

by

Yossy Mendelovich

2021-07-02

Deals

2 mins read

As the pursuit for ultra-high resolution continues, the prices for those mighty HD cinema cameras (the ARRI ALEXA Classic) drops. That lays the groundwork for being an owner of one of the…

The ASC Presents: Virtual Production Master Class

by

Yossy Mendelovich

2021-06-30

Educate

2 mins read

The ASC (American Society of Cinematographers) will hold a two-day, online Master Class from Saturday, July 24th to Sunday, July 25th, focused on the topic of Virtual Production, lighting in a Virtual…

ARRI - Page 11

Netflix’s ‘Into the Night’: Low-Light Cinematography Led by DP Magdalena Gorka

ALEXA Mini LF: The Freedom to Choose Your Desired Format

“V” for Velocity: Thoughts About RED’s New 8K Large Format Camera

Emmy 2021’s Cameras: Large Format Rules

ETERNALS: The First MCU Film to be Shot Indie-Style?

ARRI 16-32mm Signature Zoom Prototype

Roger Deakins Talks About Lenses: Spherical Primes Preferred

Cannes Film Festival 2021’s Lenses: A Lot of Optics!

Used ARRI ALEXA Classic Found on Adorama for $6,100

The ASC Presents: Virtual Production Master Class

Get the best of filmmaking!

Recent Posts

Categories

Get the best of filmmaking!