ARRI Rental has shared some epicness by showing off their ALEXA 65 in an underwater shoot using the HydroFlex dedicated housing. Although this ability is not new, it’s nice to be reminded…
Cinematographer Ari Wegner is only the second woman to be nominated for the Academy Awards’ Best Cinematography category. The first was Rachel Morrison on Mudbound (2017), and now it’s Wegner’s turn with…
We wish this chart was more interesting to explore. Unfortunately, it’s pretty boring. Nevertheless, here is it. IndieWire continues with its fascinating tradition to reveal the cameras and lenses that shot Sundance…
These are the lenses behind 29 films that are contending for the 94th Academy Awards (Oscars 2022), according to IndieWire’s cinematography survey. The major manufacturers are Panavision (as usual), ARRI (with their…
These are the cameras (and lenses) that were used to shoot 29 films that are contending of the 94th Academy Awards (Oscars 2022). The charts, schemes, and pictures were crafted by Y.M.Cinema…
Here’re the key points and highlights of the ARRI presentation, as part of the DCS (Digital Cinema Society) discussion, about the “Focus On Cine Lenses From the Buyer’s POV”. Art Adams, which…
ARRI has published a very useful piece of educational info. The ALEXA mini LF Recording Formats Poster Pack is an “easily-digestible” poster with visual aids to help clarify the recording format size,…
Sony has published a useful Q&A page explaining its new VENICE 2 8.6K cinema camera and its similarities and dissimilarities regarding the VENICE (1) and Alpha cameras. This page is a must…
Well, this is a real gem for cinephiles. ARRI Rental has published BTS photos of BMW commercial shot in 1989 on the brand new (back then) ARRIFLEX 765. Explore these amazing BTS…
The process of making Dune was pretty novel in terms of creating the imagery. The movie was shot digital (on the ARRI ALEXA LF and Mini LF), then was transferred to 35mm…