The cameras that shot the 96th Academy Awards’ Best Picture and Cinematography nominees, include for the first time (in the digital era), an IMAX film camera. Will the “Film in IMAX” movie…
How many of you know ‘Following’? This movie was directed, shot, and edited by the famous director, Christopher Nolan, back in 1998. Nolan used his own ARRIFLEX 16BL to shoot this zero-budget…
IMAX has announced that it has the best month of July at the global box office with $176 million. That is an “Extraordinary Performance of Christopher Nolan’s Oppenheimer”. Hence, IMAX Breaks the…
So we watched Oppenheimer on IMAX Laser. After writing a vast amount of articles dealing with the cinematography aspects of the film, we didn’t imagine how great the sound is. Indeed, the…
In a very educating interview held by American Cinematographer, with ASC associate member and Panavision Senior Vice President of Optical Engineering and Lens Strategy Dan Sasaki, the lens behind Oppenheimer is revealed.…
Not every director has the privilege of shooting with IMAX film cameras. Furthermore, not every filmmaker/director/cinematographer dares to do unconventional shooting with these huge massive boxes. However, in Oppenheimer, DP Hoyte van…
The acclaimed award-winning VFX company DNEG, which made the VFX shots for Christopher Nolan’s Oppenheimer, sheds strong light on the VFX side of the movie. It appears that Oppenheimer contains more than…
It appears that Oppenheimer was shot on specially modified fast Panavision Sphero and System 65 lenses. Even more interestingly, a dedicated snorkel lens was made for the IMAX cameras, to capture extreme…
With the release of Oppenheimer, moviegoers showed their passion for 15/70 screening. With the increased demand for IMAX filmmaking and the expansion of new IMAX film cameras, it’s time for IMAX to consider…
The acclaimed director Christopher Nolan says that because of him, IMAX film cameras gained popularity and are being utilized in Hollywood motion picture films. That was said in an interview with IMAX…