cinema lens Archives - Y.M.Cinema Magazine

Meet the DZOFILM Catta Ace Set: Full-Frame Cine Zoom Lenses Without Breaking the Bank

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2023-01-16

News

2 mins read

DZOFILM has introduced a new full-frame wide-angle cine-zoom titled Catta Ace 18-35mm T2.9 Cine lens. This cine-zoom is the wide-angle option of all other Cattas ( 35-80mm and 70-135mm), and thus completes…

Vintage Emulation Lens: Meet The Canon V35

by

Yossy Mendelovich

2022-05-02

Educate

3 mins read

The Canon V35 lenses are basically CN-E glass modified for the vintage aesthetic. This is not a Canon project, but an independent initiative to take the Canon CN-E glass and upgrade it…

Meike introduces (Another) Affordable Full-Frame Cine Lens: The Prime 85mm T2.1

Meike Introduces (Another) Affordable Full-Frame Cine Lens: Prime 85mm T2.1

by

Yossy Mendelovich

2021-04-11

News

1 min read

Meike has introduced the Prime 85mm T2.1 Cine Lens for full-frame cinema cameras. The lens joins the Meike FF Cine lens family (covers an image circle of 45mm) which now composed of…

Sony FE C 16-35mm T3.1 G on the FX6. Picture: Sony

Sony Presents the FE C 16-35mm T3.1 G: Cinema Lens With Autofocus Capabilities

by

Yossy Mendelovich

2020-11-18

News

2 mins read

The new Sony FE C 16-35mm T3.1 G E-Mount lens was announced with the FX6. Just like the FX6, this cool piece of glass was designed to meet the demands of independent…

Tokina Vista Prime 40mm T1.5 Lens Announced

by

Yossy Mendelovich

2020-11-04

News

2 mins read

Today, Tokina has introduced the newest member of its Cinema Vista Prime family, the 40mm T1.5. This popular focal length is being requested for a while by filmmakers. As expected from a…

The DZOFilm VESPID cine- primes for full-frame sensors

DZOFilm Presets the VESPID Primes: Affordable Full-Frame Cinema Lenses

by

Yossy Mendelovich

2020-10-30

News

2 mins read

DZOFilm has been developing lenses like cupcakes. This time the focus is on cine-primes. The newly announced VESPID is surrounded by a cine-structure and designed to cover full-frame sensors. The main advantage…

The Cooke S7i 32mm attached to the Sony Venice Rialto sensor block extension module for a low angle shot inside a freezer

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

by

Yossy Mendelovich

2020-05-18

Discuss

5 mins read

The Netflix original series Dead to Me can be used as a filmmaking reference for how to utilize the Sony Venice and Cooke S7/i lenses to get the full-frame look with all…

Sundance Film Festival 2020 - Lens Manufacturers Chart

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

by

Yossy Mendelovich

2020-01-31

Discuss

4 mins read

We’ve collected the data regarding the lenses been used on Sundance Film Festival 2020 films to try and find a new trend and/or intriguing conclusions. First, Cooke is killing it. Second, we’re…

Cinema Lenses vs. Still Lenses: It’s Not About the Image Quality Alone

by

Yossy Mendelovich

2019-08-29

Discuss

3 mins read

Cinema lenses are known for their unique design, which is dedicated to filmmaking applications. In this article, we’ll try to clarify the main reasons for choosing those expensive cinema lenses over still…

Meet the Most Affordable Large Format Cine-Lens: The Irix Cine 150mm T3.0 Macro 1:1

by

Yossy Mendelovich

2019-07-23

News

3 mins read

Irix has just announced the final details of its first cine lens including spec and price. The super-affordable Irix Cine 150mm T3.0 Macro 1:1 covers large sensors and can be used on…

cinema lens

Meet the DZOFILM Catta Ace Set: Full-Frame Cine Zoom Lenses Without Breaking the Bank

Vintage Emulation Lens: Meet The Canon V35

Meike Introduces (Another) Affordable Full-Frame Cine Lens: Prime 85mm T2.1

Sony Presents the FE C 16-35mm T3.1 G: Cinema Lens With Autofocus Capabilities

Tokina Vista Prime 40mm T1.5 Lens Announced

DZOFilm Presets the VESPID Primes: Affordable Full-Frame Cinema Lenses

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

Cinema Lenses vs. Still Lenses: It’s Not About the Image Quality Alone

Meet the Most Affordable Large Format Cine-Lens: The Irix Cine 150mm T3.0 Macro 1:1

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