Cooke S7/i Archives - Y.M.Cinema Magazine

Netflix’s Purple Hearts: Shot by Matt Sakatani on the Sony VENICE (1&2) Paired With Cooke S7/i

by

2022-09-13

Educate

7 mins read

Y.M.Cinema Magazine interviewed cinematographer Matt Sakatani Roe who shot the beautiful Netflix drama, Purple Hearts. Matt utilized the two models of the Sony VENICE paired with Cooke S7/i to get that dedicated,…

Cooke Optics Aims for FF Cinematography With its New S8/i Lenses

by

Yossy Mendelovich

2022-03-24

News

3 mins read

Cooke Optics has announced the launch of the S8/i Full Frame (FF) series of seven lenses for full-frame production with an all-spherical design and T1.4 throughout, these currently include 25mm, 32mm, 40mm,…

‘In From The Cold’ Cinematography: Shot on Sony VENICE Paired With Cooke S7/i and Panchros

by

Yossy Mendelovich

2022-02-06

Educate

4 mins read

The cinematography behind the new cool Netflix action series ‘In From The Cold’ can constitute a reference of smart lens utilization for getting the correct images. The series was shot on Sony…

The Cooke S7i 32mm attached to the Sony Venice Rialto sensor block extension module for a low angle shot inside a freezer

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

by

Yossy Mendelovich

2020-05-18

Discuss

5 mins read

The Netflix original series Dead to Me can be used as a filmmaking reference for how to utilize the Sony Venice and Cooke S7/i lenses to get the full-frame look with all…

Cooke new Lenses to S7/i and Anamorphic/i Full Frame Plus Series

Cooke Introduces new Lenses to its S7/i and Anamorphic/i Full Frame Plus Series

by

Yossy Mendelovich

2020-04-08

News

1 min read

Cooke announces new focal lengths for its full-frame S7/i series (60mm macro, 90mm macro, 150mm macro, and 300mm full-frame plus), and Anamorphic/i Full Frame Plus Series (180mm). Watch those beauties down below: …

Shooting for IMAX: Cuba. Cooke S7/i and the ALEXA LF. Credit: Golden Gate 3D

IMAX Filmmaking: Here’s How to Shoot for the Giant Screen

by

Yossy Mendelovich

2020-02-17

Educate

6 mins read

Considering to screen your film on IMAX theater? Then you should read this article, which summarizes cinematographer and director Peter Chang’s insights. Chang shot his IMAX film, Cuba, on various cameras paired…

Cinematographer Martin Ruhe and George Clooney on Catch 22 set

Cooke S4/i is the Glass Behind the Popular Hulu Miniseries, Catch-22

by

Yossy Mendelovich

2019-06-30

Educate

4 mins read

The ALEXA Mini paired with a set of Cooke S4/i primes were the chosen tools to tell the story of Hulu six-episode new miniseries, Catch-22. Cinematographer Martin Ruhe shares his on-set insights…

Cooke Presents ShotOnCooke: An Online Video Search Engine Based on Cooke’s Glass

by

Yossy Mendelovich

2019-05-29

News

3 mins read

Ahead of Cine Gear Expo 2019, Cooke presents its new website, shotoncooke.com, which grants filmmakers new and unique online resource of real-world examples of projects shot with the various Cooke lens families. Check…

Cooke S7/i

Netflix’s Purple Hearts: Shot by Matt Sakatani on the Sony VENICE (1&2) Paired With Cooke S7/i

Cooke Optics Aims for FF Cinematography With its New S8/i Lenses

‘In From The Cold’ Cinematography: Shot on Sony VENICE Paired With Cooke S7/i and Panchros

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

Cooke Introduces new Lenses to its S7/i and Anamorphic/i Full Frame Plus Series

IMAX Filmmaking: Here’s How to Shoot for the Giant Screen

Cooke S4/i is the Glass Behind the Popular Hulu Miniseries, Catch-22

Cooke Presents ShotOnCooke: An Online Video Search Engine Based on Cooke’s Glass

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