full frame Archives - Page 13 of 14

Large Format Cinema Cameras: High-level Comparison

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2019-07-18

Compare

1 min read

Our latest articles were focused on the large format glass. We attacked this topic as a result of the growth of sensor sizes, especially in cinema cameras market. Our chart and in-depth…

Lens Test Projector for Large Format Lenses

Lens Projectors: Accurate Examination of Full Frame Cinema Glass

by

Yossy Mendelovich

2019-07-11

Educate

2 mins read

At the last CineGear, Chrosziel, which is a company that specializes in lens examination, hosted a Lens Projection Master Class dedicated for large format lenses. Read below about how professionals test their…

Large Format Cinema Lenses: Filmmakers’ Chart

by

Yossy Mendelovich

2019-07-04

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1 min read

In continuous to our previous article regarding large-format cinema lenses, we’ve decided to prepare a simplified chart that contains all this useful information. The table is divided into sections per each glass:…

Large Format Cinema Lenses Buyer’s Guide

Large Format Cinema Lenses: A Buyer’s Guide

by

Yossy Mendelovich

2019-06-27

Educate

5 mins read

The guys at DCS (Digital Cinema Society) have once again held their great lens panel at Cine Gear 2019. This time the group focused on large format cine lenses from the buyer’s…

Kinefinity MAVO LF. Picture by Ralston Smith

First Film Shot on the Kinefinity MAVO LF: There’s Still a Long Way to Go

by

Yossy Mendelovich

2019-06-18

Discuss

3 mins read

Director Raafi Rivero gives us an inside look at his project, which is the first narrative short film shot on Kinefinity’s flagship. Has the MAVO LF got what it takes to be…

ZEISS New Supreme Primes: 21mm and 135mm are Ready for Preorder. Price: $21,750

by

Yossy Mendelovich

2019-04-14

News

2 mins read

The new primes in the family of ZEISS Supreme lenses (135/T1.5 and 21/T1.5) are ready for preorder. The new cinema lenses were presented at NAB. Now the ZEISS Supreme consists of nine…

The Possession of Hannah Grace shot on Sony Alpha a7S II Mirrorless

A new Hollywood Movie was Shot on Sony A7S II Combined with Hawk 65 Anamorphic Lenses

by

Yossy Mendelovich

2018-12-04

Educate

3 mins read

It’s always great to explore new Hollywood movie that was shot on a cheap camera. Cheap in term of money, not in term of image quality. The new Hollywood thriller “The Possession…

Sigma 105mm T1.5 Full-Frame Cine Lens: Ready to Ship

by

Yossy Mendelovich

2018-11-07

News

1 min read

On September, Sigma announced the development of three new Sigma cine lenses related to the FF high speed prime lineup: Sigma 28mm T1.5 FF, Sigma 40mm T1.5 FF and Sigma 105mm T1.5…

Canon EOS C700 FF Tests: Sensor Size, Low Light and Anamorphic

by

Yossy Mendelovich

2018-09-29

Compare

3 mins read

ShareGrid, the camera sharing community, has shot a few tests with the goal of exploring the capabilities of the Canon EOS C700 FF (Full Frame) in regard to sensor size, low light…

ARRI Tech Talk: ALEXA LF (Large-Format) Explained

by

Yossy Mendelovich

2018-07-17

Educate

2 mins read

ARRI Tech Talk is web-series that is focused on ARRI cameras, workflow, technology, and more cool stuff. The sessions are short, most interesting and yet simple to understand. Take a look at…

full frame - Page 13

Large Format Cinema Cameras: High-level Comparison

Lens Projectors: Accurate Examination of Full Frame Cinema Glass

Large Format Cinema Lenses: Filmmakers’ Chart

Large Format Cinema Lenses: A Buyer’s Guide

First Film Shot on the Kinefinity MAVO LF: There’s Still a Long Way to Go

ZEISS New Supreme Primes: 21mm and 135mm are Ready for Preorder. Price: $21,750

A new Hollywood Movie was Shot on Sony A7S II Combined with Hawk 65 Anamorphic Lenses

Sigma 105mm T1.5 Full-Frame Cine Lens: Ready to Ship

Canon EOS C700 FF Tests: Sensor Size, Low Light and Anamorphic

ARRI Tech Talk: ALEXA LF (Large-Format) Explained

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