IMax Archives - Page 20 of 21 - Y.M.Cinema Magazine

ARRIFLEX 765: The Camera Behind “No Time To Die”

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2020-04-05

Educate

2 mins read

Let’s learn a bit about this fascinating 65mm film camera, the ARRIFLEX 765, which was the 2nd unit camera for the latest James Bond movie – “No Time To Die”. Read on. …

IMAX Filmmaking: What is it like to Shoot on an IMAX Film Camera?

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YMCinema

2020-03-10

Educate

5 mins read

In this educational piece, cinematographer Mathieu Vié helps us to get a rare in-depth look in one of the marvelous filmmaking tools ever made – An IMAX film camera. What’s like to…

IMAX MSM 9802 65mm camera. Photo by Matthew Williams

IMAX Film Cameras are Back to the Game: Kodak Business is Booming

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YMCinema

2020-03-03

Discuss

4 mins read

There is no doubt that film cameras made a comeback, as more directors see the film stock as their weapon of choice regarding the best imagery that can be achieved. Moreover, in…

Shooting for IMAX: Cuba. Cooke S7/i and the ALEXA LF. Credit: Golden Gate 3D

IMAX Filmmaking: Here’s How to Shoot for the Giant Screen

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YMCinema

2020-02-17

Educate

6 mins read

Considering to screen your film on IMAX theater? Then you should read this article, which summarizes cinematographer and director Peter Chang’s insights. Chang shot his IMAX film, Cuba, on various cameras paired…

ARRI ALEXA 65: 2020’s Showreel by ARRI Rental

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YMCinema

2020-01-27

Educate

5 mins read

ARRI Rental has released a showreel of one of the most fascinating cameras out there: The ALEXA 65. Let’s check it out and discuss what is so special about this sensor and…

Top Gun: Maverick – Six Sony VENICE Cameras Inside a Fighter-Jet Cockpit

by

YMCinema

2019-12-19

Educate

2 mins read

In the upcoming Top Gun: Maverick movie, you are going to experience what’s like to be a Top Gun pilot. The production has assembled a specialized camera system of six Sony VENICE…

The cameras behind multiple awards winner: Free Solo

“Free Solo” Multiple Award-Winning Film was Shot on C300 Mark II and URSA Mini

by

YMCinema

2019-09-22

Educate

4 mins read

The 71ST Emmy Awards ceremony that held today reminds us of the multiple award-winning Free Solo, which is one of the most exceptional cinematography and storytelling achievements ever. The film was shot…

Avengers: Endgame and the Ultra Panavision 70 lens

The Ultra Panavision 70 Lens: The Classic Glass Behind Avengers Endgame

by

YMCinema

2019-05-05

Educate

3 mins read

A lot has been said about the powerful film which is an ARRI/IMAX masterpiece: Avengers: Endgame. However, there is no much info regarding the lenses being used to shoot the movie. That’s…

‘Avengers: Endgame’ Trailer as a Reference for IMAX Comparison

by

YMCinema

2019-03-04

Compare

1 min read

IMAX released a cool comparison ‘Avengers: Endgame’ trailer that shows the advantages of the IMAX cameras and aspect ratio, revealing up to 26% more picture when projected on IMAX. Read a bit…

‘Bumblebee’ Review: Emotional Rollercoaster, Great Cinematography and Journey to the 80s

by

YMCinema

2018-12-23

Footnote

4 mins read

To make the story short: Bumblebee is the BEST transformers movie to date. A tremendous work by film director Travis Knight which has created precise entertainment recipe consists of metals, emotions, tears,…

IMax - Page 20

ARRIFLEX 765: The Camera Behind “No Time To Die”

IMAX Filmmaking: What is it like to Shoot on an IMAX Film Camera?

IMAX Film Cameras are Back to the Game: Kodak Business is Booming

IMAX Filmmaking: Here’s How to Shoot for the Giant Screen

ARRI ALEXA 65: 2020’s Showreel by ARRI Rental

Top Gun: Maverick – Six Sony VENICE Cameras Inside a Fighter-Jet Cockpit

“Free Solo” Multiple Award-Winning Film was Shot on C300 Mark II and URSA Mini

The Ultra Panavision 70 Lens: The Classic Glass Behind Avengers Endgame

‘Avengers: Endgame’ Trailer as a Reference for IMAX Comparison

‘Bumblebee’ Review: Emotional Rollercoaster, Great Cinematography and Journey to the 80s

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