The cameras that shot the 96th Academy Awards’ Best Picture and Cinematography nominees, include for the first time (in the digital era), an IMAX film camera. Will the “Film in IMAX” movie…
Now, that we have the list of nominees, we can explore the cameras and lenses that shot Best Picture and Cinematography contenders for the 96th Academy Awards. There’s a solid presence of…
IMAX has published the final list of IMAX 70mm ‘flagship’ theaters that will screen the anticipated Dune: Part Two movie in 1.90:1 and 1.43:1 (select sequences). Unfortunately, it’s a tiny and reduced…
Filmmaker Patrick Tomasso went to ARRI to ask some challenging questions, to understand the philosophy behind their cameras. We gathered some fascinating insight, but moreover, we understood that it all starts from…
An amazing video posted by James Neihouse who is an IMAX cinematographer and was personally involved in this great project, A Beautiful Planet, shows lenses swapped in zero gravity during the ISS…
In an article titled “Inside the Tech Creating the Las Vegas Sphere’s Groundbreaking Visuals” by the WSJ, Sphere Entertainment states about its plans to utilize its Big Sky camera for scientific applications,…
Good news for 70mm enthusiasts — The anticipated Dune: Part Two will be screened in IMAX 70mm (in selected theaters of course). Say ‘Thank You’ to Nolan’s Oppenheimer. But, it was shot…
It seems that every acclaimed director is trying to do his best to make a ‘practical’ film, that contains low to none of CGI shots. Now it’s the turn of the great…
It appears that it’s not so simple to make an 18K film for the Las Vegas Sphere. You can ask Darren Aronofsky, who is the first filmmaker who shot for the Sphere…
The Marvels’ final IMAX trailer was released. Captured by Sean Bobbitt BSC with the ALEXA LF, ALEXA Mini LF, and ARRI Rental’s exclusive ALEXA 65 paired with DNA glass. The film includes…