IMax Archives - Page 6 of 20 - Y.M.Cinema Magazine

“Napoleon” is Another Practical (no CGI) Masterpiece

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2023-11-15

Discuss

3 mins read

It seems that every acclaimed director is trying to do his best to make a ‘practical’ film, that contains low to none of CGI shots. Now it’s the turn of the great…

Shooting a Movie on a Data Rate of 32 Gigabits Per Second

by

Yossy Mendelovich

2023-11-11

Educate

2 mins read

It appears that it’s not so simple to make an 18K film for the Las Vegas Sphere. You can ask Darren Aronofsky, who is the first filmmaker who shot for the Sphere…

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

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Yossy Mendelovich

2023-11-09

Educate

2 mins read

The Marvels’ final IMAX trailer was released. Captured by Sean Bobbitt BSC with the ALEXA LF, ALEXA Mini LF, and ARRI Rental’s exclusive ALEXA 65 paired with DNA glass. The film includes…

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

by

Yossy Mendelovich

2023-10-27

Educate

4 mins read

Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…

This Is The Sensor of the ‘Big-Sky’ Camera

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Yossy Mendelovich

2023-10-23

Educate

5 mins read

Do you remember the ‘Big Sky’ camera? That’s the camera that shoots for the Sphere platform in Las Vegas. It’s armed with a huge (9.92 cm × 8.31 cm) 316MP, HDR CMOS…

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

by

Yossy Mendelovich

2023-10-20

Discuss

5 mins read

Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…

Shooting a Blockbuster With the Sony FX3 - A Rare Inside Look of The Creator’s DITs

Shooting a Blockbuster With the Sony FX3: A Rare Inside Look by The Creator’s DITs

by

Yossy Mendelovich

2023-10-06

Educate

7 mins read

In this article, we’re getting a technical deep dive into the preparation of the Sony FX3 for The Creator shoot. Teevarit Pirompapachoke – DIT and data wrangler in the Thailand unit, shares…

IMAX CEO: “We use AI to blowup images”

by

Yossy Mendelovich

2023-10-02

News

2 mins read

The chief executive officer of IMAX, Richard Gelfond, said at the Bank of America Media, Communications & Entertainment Conference, that the company utilizes AI (Artificial intelligence) in order to “blowup images” that…

The Tools That Created ‘The Creator’: Sony FX3, Ronin RS2, Atomos Ninja, Kowa 75mm Anamorphic, and ProRes RAW

by

Yossy Mendelovich

2023-09-30

Educate

5 mins read

In a short but intriguing interview held by Digital Cinema Report, ‘The Creator’ DP, Oren Soffer, elaborated on the making. As explained by the film director Gareth Edwards regarding the guerrilla-style filmmaking…

IMAXing Barbie for One Week Only: Shot on ARRI 65 Paired With Panavision System 65 Lenses

IMAXing Barbie for One Week Only: Shot on ARRI ALEXA 65 Paired With Panavision System 65 Lenses

by

Yossy Mendelovich

2023-09-19

Discuss

2 mins read

IMAX has announced its version of the acclaimed Barbie movie, starting September 22 for one week only, the audience can experience the IMAX version of Barbie. Expect an impressive result, since the…

IMax - Page 6

“Napoleon” is Another Practical (no CGI) Masterpiece

Shooting a Movie on a Data Rate of 32 Gigabits Per Second

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

This Is The Sensor of the ‘Big-Sky’ Camera

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

Shooting a Blockbuster With the Sony FX3: A Rare Inside Look by The Creator’s DITs

IMAX CEO: “We use AI to blowup images”

The Tools That Created ‘The Creator’: Sony FX3, Ronin RS2, Atomos Ninja, Kowa 75mm Anamorphic, and ProRes RAW

IMAXing Barbie for One Week Only: Shot on ARRI ALEXA 65 Paired With Panavision System 65 Lenses

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