In this fascinating interview with Wonder Woman 1984’s DP, Matthew Jensen ASC, we are exposed to the essentials and wonder of the celluloid. WW84 was shot entirely on Kodak 35mm, 65mm, and…
Warner Bros Pictures has just released a featurette of exclusive behind the scenes from the making of Tenet. Check it out below to explore those heavy IMAX cameras located everywhere. However, don’t…
The Emmy 2020 nominee for Outstanding Cinematography, Westworld, was shot mostly on film by DP Paul Cameron, ASC. The cameras were ARRICAM Lite and Studio, combined with Sony VENICE for wide-night shots.…
Seberg is another example that film is alive and kicking. Shot by Rachel Morrison, ASC on the Panavision XL2 paired with the C series Anamorphic. As stated by Morrison: ‘This narrative begged…
Another celluloid masterpiece is going to land at theaters in September. A Quiet Place Part II directed by John Krasinski and shot by Polly Morgan on the Panavision XL2 paired with the…
In this educational piece, cinematographer Mathieu Vié helps us to get a rare in-depth look in one of the marvelous filmmaking tools ever made – An IMAX film camera. What’s like to…
There is no doubt that film cameras made a comeback, as more directors see the film stock as their weapon of choice regarding the best imagery that can be achieved. Moreover, in…
Are we experiencing some “digital fatigue”? By judging from the number of film cameras used on major winning productions, we might, as the film cinema cameras are back into the game. Should…
Quentin Tarantino’s latest film is full of retro “old” cameras combined with modern and vintage lenses. Once Upon a Time in Hollywood, which was shot on Kodak 35mm is the proof that…