Great news for 65mm enthusiasts. IMAX has announced the development of four(!) new film cameras. The first prototype is being tested as we speak and will debut in 2023. The cameras are…
Thanks to super talented filmmaker Alon Daniel, we’ve got here another proof that old cinema cameras are alive and kicking. Alon shot this awe-inspiring music video using forty-year-old cameras that run 16mm…
It’s always nice revealing a Best Picture (or Best Cinematography) nominee that was shot on celluloid. In that case, there was no smarter option for Licorice Pizza to recreate the look and…
In ‘A Quiet Place Part II‘ there’s more to hear than see. Although the film looks great, and Kodak’s film stock has its presence, the sounds are taking over the imagery. The…
Kodak and the UFVF (The University Film and Video Foundation) announce that the 30th UFVF/KODAK Student Filmmaking and Cinematography Grants are open. Submit your film (no entry fee) to win cash prizes…
In continues to our previews article about the technological achievements of ON Semiconductor and Avid, we’re delighted to report that Kodak has also won the Technology & Engineering Emmy Award in the…
In this fascinating interview with Wonder Woman 1984’s DP, Matthew Jensen ASC, we are exposed to the essentials and wonder of the celluloid. WW84 was shot entirely on Kodak 35mm, 65mm, and…
Warner Bros Pictures has just released a featurette of exclusive behind the scenes from the making of Tenet. Check it out below to explore those heavy IMAX cameras located everywhere. However, don’t…
The Emmy 2020 nominee for Outstanding Cinematography, Westworld, was shot mostly on film by DP Paul Cameron, ASC. The cameras were ARRICAM Lite and Studio, combined with Sony VENICE for wide-night shots.…
Seberg is another example that film is alive and kicking. Shot by Rachel Morrison, ASC on the Panavision XL2 paired with the C series Anamorphic. As stated by Morrison: ‘This narrative begged…