Red Digital Cinema Archives - Page 5 of 22

Monochrome Cinema Cameras: A New Trend of B&W Cinematography?

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2022-11-28

Discuss

3 mins read

A couple of weeks ago, ARRI Rental has introduced its new fleet of exclusive black-and-white cameras: ALEXA 65 Monochrome, XT Monochrome, and Mini LF Monochrome. The cameras offer enhanced sensitivity, resolution, and…

Why Super 35? RED Digital Cinema Answers

by

Yossy Mendelovich

2022-11-23

News

2 mins read

RED Digital Cinema is officially shipping its new Limited-Edition V-Raptor RHINO 8K S35 camera on its online store. In an email sent to followers, RED explains why S35 (Super 35) is an…

The RHINO V-Raptor Might be RED’s Gate for Wildlife Filmmaking

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Yossy Mendelovich

2022-11-14

Discuss

2 mins read

Super 35 can be used as a professional synonym for broadcasting and wildlife cinematography. As proof, RED Digital Cinema has called its new S35 8K camera, RHINO. RED wants to simplify the…

RED RHINO V-Raptor 8K S35 Announced

by

Yossy Mendelovich

2022-11-07

News

2 mins read

The Super 35 version of the RED V-Raptor has landed. The S35 Raptor (nicknamed RHINO) owns a smaller sensor than the Komodo, but with more resolution, in order to mitigate vignetting. The…

RED DSMC3 Face Detect AutoFocus

by

Yossy Mendelovich

2022-10-20

Discuss

2 mins read

The recent update to the RED Control app reveals RED’s plan to sharpen the AF capabilities of the DSMC3 cameras (Raptor and Komodo). Although this feature is only active in the app…

Adobe Partners With RED to Enhance 8K RAW Cloud-Based Workflow

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Yossy Mendelovich

2022-10-18

News

3 mins read

Adobe announces the enhancement and improvements of the C2C (Camera to Cloud) frame.io capabilities in the RED V-Raptor and Raptor XL. Now, the C2C integration will be built-in to those cameras in…

Devotion: RED Komodo Replaces the VENICE in the Aerial Dogfights Sequences

Devotion: RED Komodo Replaces the VENICE in the Aerial Dogfight Sequences

by

Yossy Mendelovich

2022-09-15

Educate

2 mins read

Again, a movie about naval fighter planes, and again, minimization of the green screen, and again, utilization of action cinema camera on shooting aerial fighting sequences. But on Devotion, the RED Komodo…

Nikon Denies and Fights Back to RED’s Lawsuit

Nikon Denies and Fights Back RED’s Lawsuit

by

Yossy Mendelovich

2022-09-11

News

4 mins read

It seems there will be no paid royalties on this one. Nikon has just answered RED’s lawsuit, and it denies almost all infringements regarding the compressed raw patents of RED Digital Cinema.…

Why RED? Resolution, RAW, and Dynamic Range

by

Yossy Mendelovich

2022-09-07

Discuss

2 mins read

Cinematographer and director Mark Toia shares with us his thoughts and insights on why to choose RED cameras over other cinema cameras. In his stunning video, the advantages of the RED V-Raptor…

RED Tech Q&A: AutoFocus, V-Raptor XL IR, and S35

by

Yossy Mendelovich

2022-08-24

Discuss

3 mins read

During the RED Tech LIVE Q&A session, CEO Jarred Land shed some very interesting light on topics like AF (AutoFocus), an IR (InfraRed) version of the V-Raptor XL, and the sensor size…

Red Digital Cinema - Page 5

Monochrome Cinema Cameras: A New Trend of B&W Cinematography?

Why Super 35? RED Digital Cinema Answers

The RHINO V-Raptor Might be RED’s Gate for Wildlife Filmmaking

RED RHINO V-Raptor 8K S35 Announced

RED DSMC3 Face Detect AutoFocus

Devotion: RED Komodo Replaces the VENICE in the Aerial Dogfight Sequences

Nikon Denies and Fights Back RED’s Lawsuit

Why RED? Resolution, RAW, and Dynamic Range

RED Tech Q&A: AutoFocus, V-Raptor XL IR, and S35

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