RED Digital Cinema has released the new firmware for its DSMC3 flagship, V-Raptor VV 8K camera. One of the major features is the Face Tracking Auto Focus (alpha form). That’s an indication…
Even before the trailer, a BTS of the forthcoming Zack Snyder’s Rebel Moon was released. The sci-fi opera was shot one an unconventional and mighty combo of RED V-Raptor XL and bespoke…
The guys at CVP have published a very straightforward yet educating video that shows the strengths of the newly announced RED RHINO S35 camera. This is the first time we can actually…
In an interview held by DPReview, Yosuke Yamane, which is the Vice President of Panasonic’s Entertainment and Communication, elaborated on a pretty exciting announcement. According to Yamane, Panasonic intends to enter into…
Adobe has launched ‘Camera to Cloud’ (Beta) for RED V-Raptor cameras, which means you can shoot 8K RAW straight to the cloud with no additional hardware. The only limitation is that a…
According to the requirement of the new job at IMAX, it seems that the company is strengthening and developing its cloud infrastructure, in order to implement pipelines and workflows for cloud-based image processing…
The Super 35 version of the RED V-Raptor has landed. The S35 Raptor (nicknamed RHINO) owns a smaller sensor than the Komodo, but with more resolution, in order to mitigate vignetting. The…
Adobe announces the enhancement and improvements of the C2C (Camera to Cloud) frame.io capabilities in the RED V-Raptor and Raptor XL. Now, the C2C integration will be built-in to those cameras in…
Cinematographer and director Mark Toia shares with us his thoughts and insights on why to choose RED cameras over other cinema cameras. In his stunning video, the advantages of the RED V-Raptor…
During the RED Tech LIVE Q&A session, CEO Jarred Land shed some very interesting light on topics like AF (AutoFocus), an IR (InfraRed) version of the V-Raptor XL, and the sensor size…