Sony Venice Archives - Page 9 of 13

ACHTEL 9X7 Replaces an Array of 6 Cinema Cameras

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2021-10-11

Discuss

3 mins read

The ACHTEL 9X7 camera was paired with XM2 Pursuit using SHOTOVER System, to try and replace an array of 6 (or more) cinema cameras. This unique setup is aimed for high-end VFX,…

Netflix’s ‘Into the Night’: Low-Light Cinematography Led by DP Magdalena Gorka

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Yossy Mendelovich

2021-09-20

Educate

4 mins read

Since the second season of Netflix’s ‘Into the Night’ was premiered a few days ago, we’d like to take this opportunity to talk about the making. The second season was shot by…

Emmy 2021’s Cameras: Large Format Rules

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Yossy Mendelovich

2021-08-30

Discuss

2 mins read

Thanks to IndieWire, its fascinating survey clearly shows us the domination of the large sensors, over the well-respected and traditional Super 35mm format. We analyzed the data and make a chart that…

Avatar’s James Cameron Explains the Necessity of Shooting in 3D

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Yossy Mendelovich

2021-08-24

Discuss

3 mins read

On the occasion of Avatar 10 Year Anniversary, the legendary director, James Cameron, has held a Q&A session answering questions from the audiences. One of the questions was related to the necessity…

Meet the Fujinon SK35-700mm PL: A 27Kg Lens for Cinematic Broadcasting

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Yossy Mendelovich

2021-08-03

Educate

2 mins read

The Fujinon SK35-700mm F2.8-4.8 is a native PL-mount cinema broadcast zoom lens that was invented in order to bring the look of cinema to sports and entertainment live productions. This PL mount…

The Aerial Cinematography of Black Widow: Orchestra of VENICE + Premista, RED + Zeiss, on Drones and Helicopters

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Yossy Mendelovich

2021-07-20

Educate

5 mins read

Not many are well familiar with the complexity involved regarding aerial cinematography on big-budget films. In this case study, we’re getting exposed to the filmmaking tools utilized on Black Widow, composed of…

IMAX is Working to Make its Cameras More User Friendly

by

Yossy Mendelovich

2021-06-08

News

2 mins read

IMAX CEO, Rich Gelfond said to Deadline that the company is working to make IMAX cameras more user-friendly. Does this mean that the giant and intimidating box will be renovated and modernized?…

Oscar 2021 Nominees Announced: Here Are the Cameras Behind Them

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Yossy Mendelovich

2021-03-15

Discuss

3 mins read

The nominations of the 93rd Academy Awards have been announced. Our cinematography survey focuses on the Best Picture and Cinematography categories. Here’re the cameras used to shoot them. Opinion: We’re disappointed not…

ASC 35th Awards – Feature Film Nominees: Cameras and Lenses

by

Yossy Mendelovich

2021-03-11

Educate

1 min read

The American Society of Cinematographers (ASC) has announced its nominees for feature film, documentary, and television cinematography. Hence, we’ve created user-friendly slides that show the cameras and lenses been used to shoot…

The Legendary Rivalry – Tom and Jerry, Shot on Sony VENICE Paired With Panavision Primo 70 and Primo Artiste Lenses

by

Yossy Mendelovich

2021-02-28

Educate

2 mins read

Another modern adaptation of the classic rivalry was shot for the big screen. Directed by Tim Story and shot by Alan Stewart on the Sony VENICE Paired With Panavision Primo 70 and…

Sony Venice - Page 9

ACHTEL 9X7 Replaces an Array of 6 Cinema Cameras

Netflix’s ‘Into the Night’: Low-Light Cinematography Led by DP Magdalena Gorka

Emmy 2021’s Cameras: Large Format Rules

Avatar’s James Cameron Explains the Necessity of Shooting in 3D

Meet the Fujinon SK35-700mm PL: A 27Kg Lens for Cinematic Broadcasting

The Aerial Cinematography of Black Widow: Orchestra of VENICE + Premista, RED + Zeiss, on Drones and Helicopters

IMAX is Working to Make its Cameras More User Friendly

Oscar 2021 Nominees Announced: Here Are the Cameras Behind Them

ASC 35th Awards – Feature Film Nominees: Cameras and Lenses

The Legendary Rivalry – Tom and Jerry, Shot on Sony VENICE Paired With Panavision Primo 70 and Primo Artiste Lenses

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