Super 35 Archives - Page 3 of 6 - Y.M.Cinema Magazine

Panasonic Announces 5.7K Super 35 ‘Cinematic’ Studio Camera

by

2022-10-21

News

3 mins read

Panasonic Connect has just announced a 4K PL-mount “Studio Camera for Live Cinematic Video with Shallow Depth of Field” (as Panasonic defines it). The new camera titled AK-PLV100GSJ 4K is equipped with…

Fujifilm Announces FUJINON 25-1000mm Full-Frame Box Cinema Lens

Fujifilm Announces FUJINON 25-1000mm Box Lens for Large Format Cinema Cameras

by

Yossy Mendelovich

2022-10-19

News

4 mins read

Fujifilm introduces the FUJINON 25-1000mm F2.8-5.0 PL box lens, which can cover large sensors. This new glass is a broadcast lens set to launch in 2023. The FUJINON 25-1000mm is defined as…

Canon Introduces a new High-End Cinema Lens: CINE-SERVO 15-120mm

by

Yossy Mendelovich

2022-09-07

News

3 mins read

Canon announces a new high-end cinema lens that is dedicated to a range of cinema and broadcast 8K productions. The CINE-SERVO 15-120mm T2.95-3.95 EF/PL supports Super 35mm and Full-Frame sensor cameras (with…

RED Tech Q&A: AutoFocus, V-Raptor XL IR, and S35

by

Yossy Mendelovich

2022-08-24

Discuss

3 mins read

During the RED Tech LIVE Q&A session, CEO Jarred Land shed some very interesting light on topics like AF (AutoFocus), an IR (InfraRed) version of the V-Raptor XL, and the sensor size…

ALEXA SXT: $44,500 Instead of $74,500 (Price Drop of $30,000)

by

Yossy Mendelovich

2022-08-24

News

3 mins read

A huge price drop on the ARRI ALEXA SXT was spotted by The NewsShooter. Instead of $74,500, this beast now costs $44,500, which means a discount of $30,000. Should/would you buy it?…

The Cameras Behind Emmys 2022: Sony VENICE Goes Head to Head With ARRI Mini

by

Yossy Mendelovich

2022-08-15

Discuss

3 mins read

IndieWire has published its annual survey regarding the 74th Emmy cinematography nominees. As the tradition calls, Y.M.Cinema Magazine has transformed this data into camera charts, which show us that the Sony VENICE…

IMAX-ing: The Effort for Ultra-Large-Format Cinematography

by

Yossy Mendelovich

2022-07-14

Discuss

5 mins read

With the end of the pandemic and movie theaters reopening, IMAX makes huge efforts to boost sales. And we as pure moviegoers, love it. Hence, IMAX attacks in several business and strategic…

Canon Cinema EOS Comparison: C70 vs. R5C

by

Yossy Mendelovich

2022-06-27

Compare

2 mins read

Many have asked themselves about the main differences between the Canon Cinema EOS C70 and the R5 C beyond the size of the sensor. Luckily, the guys at CVP have created a…

ALEXA 35 + Xelmus Anamorphic: Test Shots

by

Yossy Mendelovich

2022-06-20

Educate

3 mins read

Cinematographer Brook Willard (SEAL TEAM) has tested the ARRI ALEXA 35 in various shooting environments while pairing it with the great Xelmus Apollo anamorphic lenses. The results demonstrate an ideal match between…

ARRI: “There Will Never be a Large Format Version of the ALEV 4”

by

Yossy Mendelovich

2022-06-07

Educate

2 mins read

The guys at CVP have just revealed a most intriguing fact regarding the ALEXA 35’s sensor. Based on their conversation with ARRI, it seems that the ALEV 4 was developed especially and…

Super 35 - Page 3

Panasonic Announces 5.7K Super 35 ‘Cinematic’ Studio Camera

Fujifilm Announces FUJINON 25-1000mm Box Lens for Large Format Cinema Cameras

Canon Introduces a new High-End Cinema Lens: CINE-SERVO 15-120mm

RED Tech Q&A: AutoFocus, V-Raptor XL IR, and S35

ALEXA SXT: $44,500 Instead of $74,500 (Price Drop of $30,000)

The Cameras Behind Emmys 2022: Sony VENICE Goes Head to Head With ARRI Mini

IMAX-ing: The Effort for Ultra-Large-Format Cinematography

Canon Cinema EOS Comparison: C70 vs. R5C

ALEXA 35 + Xelmus Anamorphic: Test Shots

ARRI: “There Will Never be a Large Format Version of the ALEV 4”

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