RED has announced an S35 (Super 35) version of its flagship, the V-Raptor. This camera is still being tested by RED. Furthermore, the shipping of the Raptor XL will begin in August.…
The brochure of the super-anticipated new camera from ARRI has leaked. Named ALEXA 35, this new technological marvel owns 17-stops of dynamic range, a whole newly developed 4.6 K sensor, and a…
It appears that ARRI has started to send invitations for the launch event of its new “next-generation” 4K Super 35 camera. The camera will be introduced from May 31 (in the State)…
DZOFILM has launched another Pictor Cine-Zoom for Super 35 cameras. The new Pictor 14-30mm T2.8 wide-angle joins the other two Pictors (20-55mm and 50-125mm) as an affordable cine zoom that is dedicated…
In this article, we’re contradicting almost everything we said and thought about the ‘Large Format Look’, at least regarding the connection between sensor size and depth of field. Factors affected like shallower…
The DCS (Digital Cinema Society) has released another great episode called “DCS Large Sensor Cinematography”. The section tries to address the benefits, aesthetic and technical differences, as well as the challenges of…
The next ARRI Super 35 4K camera will have “Existing image quality improvements” (more bit-depth, higher FPS, and resolution) says ARRI in a new Tech Talk video explaining its B-Mount 24V battery…
The newly announced Leitz ELSIE lenses were designed from the ground up as premium cine lenses with full-frame performance and consistency in size and speed to serve a broad range of productions.…
At Cine Gear, the Musashi booth has stolen the show, by presenting its cinema zooms beasts, including the recently announced Takumi 2 29-120mm T2.9 for full-frame cinema cameras. The lens joins the…
The action crime thriller, Infamous, can be used as a case study for cinematographers, filmmakers, and storytellers, among other films that utilized beautiful extreme close-ups combined with dynamic shots in order to…