Super 35 Archives - Page 6 of 7 - Y.M.Cinema Magazine

Toyota Commercial Shot on ARR AMIRA and Xelmus Anamorphic Primes

Watch: Stunning Commercial Shot on Xelmus Anamorphic Primes

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2021-03-10

Educate

1 min read

This Toyota commercial was shot by cinematographer Brent Christy on the ARRI AMIRA and Xelmus Anamorphic Primes (Apollo series). The result is beautiful flaring and stunning imagery that presets the anamorphic cinematography…

The lenses behind Sundance Film Festival 2021

The Lenses Behind Sundance 2021: Superspeeds, Panchros and Canon’s Zooms

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YMCinema

2021-02-01

Discuss

3 mins read

These are the lenses that shot 33 narrative feature films premiering at Sundance 2021. Most of the lenses are dedicated to cover Super 35 sensors. The list is characterized by unique pieces…

Large sensors: ARRI Mini LF, Sony VENICE, and RED Monstro

2020: The Year of the Large Format Cinematography

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YMCinema

2021-01-03

Discuss

3 mins read

2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…

The ARRI Mini and ALEXA 65, and their sensors.

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

by

YMCinema

2020-12-23

Compare

2 mins read

Cinematographer Manuel Lübbers has put together a very comprehensive and educational comparison focused on large-format cinematography, by comparing side by side an ARRI Alexa 65, to an Alexa Mini. Are you interested…

Canon Introduces the EOS C70: Hybridization Between R5 and C300 Mark III

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YMCinema

2020-09-24

News

2 mins read

Canon has introduced its compact RF Cinema Camera, which can be defined and explained as a hybrid product between EOS R5 and Canon C300 Mark III. The C70 is a Super 35…

Meet the High-Speed Phantom T1340 That Shoots 3,270 FPS at 2K Resolution

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YMCinema

2020-09-17

Educate

2 mins read

Vision Research has announced a new high-speed premium camera, the Phantom T1340 which is capable of shooting ultra-high-speed (3,270 FPS) at full HD resolution (2048 x 1952). The sensor size is between…

ARRI Confirms the ALEXA Super 35 4K to be Launched in 2021

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YMCinema

2020-06-02

Educate

3 mins read

In honor of the 10th anniversary of ALEXA, ARRI reveals some interesting facts, including the next ALEXA model which is a Super 35 4K camera that will be launched in 2021. Read…

Camera manufacturers behind 43 Best Netflix Original TV Shows of 2019

The Cameras Behind 43 Best Netflix Original TV Shows of 2019

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YMCinema

2020-01-13

Discuss

3 mins read

Based on the Rotten Tomatoes’ critics ratings, we built a list of the 43 best Netflix original TV shows of 2019. Then we analyzed the cameras behind them to try to find…

Canon 1D X Mark III vs. the Forthcoming RED Komodo: High-End Toys for Filmmakers

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YMCinema

2020-01-08

Discuss

3 mins read

Canon has announced its new DSLR flagship. The Canon 1D X Mark III is the newest most robust and filmmaking focused DSLR ever made. Would it be good enough for professional filmmakers?…

1917 set. Credit: François Duhamel/Universal Pictures and DreamWorks Pictures

Roger Deakins Explains the Cinematography Challenges Behind 1917

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YMCinema

2020-01-03

Educate

3 mins read

Roger Deakins talks about the cinematography challenges behind one of his most ambitious films, from a DP point of view. The tricks behind 1917 and the difficulties of shooting long takes. Read…

Super 35 - Page 6

Watch: Stunning Commercial Shot on Xelmus Anamorphic Primes

The Lenses Behind Sundance 2021: Superspeeds, Panchros and Canon’s Zooms

2020: The Year of the Large Format Cinematography

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

Canon Introduces the EOS C70: Hybridization Between R5 and C300 Mark III

Meet the High-Speed Phantom T1340 That Shoots 3,270 FPS at 2K Resolution

ARRI Confirms the ALEXA Super 35 4K to be Launched in 2021

The Cameras Behind 43 Best Netflix Original TV Shows of 2019

Canon 1D X Mark III vs. the Forthcoming RED Komodo: High-End Toys for Filmmakers

Roger Deakins Explains the Cinematography Challenges Behind 1917

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