IMAX CEO: “We use AI to blowup images”
IMAX CEO: “We use AI to blowup images”

IMAX CEO: “We use AI to blowup images”

2023-10-02
2 mins read

The chief executive officer of IMAX, Richard Gelfond, said at the Bank of America Media, Communications & Entertainment Conference, that the company utilizes AI (Artificial intelligence) in order to “blowup images” that were shot on non-IMAX cameras, in order to be screened at IMAX theaters. 

The Tools That Created ‘The Creator’: Sony FX3, Ronin RS2, Atomos Ninja, Kowa 75mm Anamorphic, and ProRes RAW The Tools That Created ‘The Creator’: Sony FX3, Ronin RS2, Atomos Ninja, Kowa 75mm Anamorphic, and ProRes RAW

IMAX and AI tech

IMAX CEO, Richard Gelfond, was asked about his approach to AI technologies. The intriguing question was referred to at the Bank of America Media, Communications & Entertainment Conference as stated: “IMAX is the most premium content offering there is. Give us your views about those AI technologies and how you plan to integrate them into your business”. So Gelfond has answered: “I don’t think AI will write stories, replace actors, implement new facts on bodies…I don’t think this is what it’s going to be. However, AI will be involved much more in post-production, and more in image enhancements. We actually dabbled with AI for a number of years, and as I said earlier, we use it to blow up images. We use AI to make the images look better, we sharpen the edges, and we take the grain out. We have been using AI for supplements for a while. And I think advances in the area will be very good”.

We actually dabbled with AI for a number of years, and as I said earlier, we use it to blowup images. We use AI to make the images look better, we sharpen the edges, and we take the grain out.

IMAX CEO – Richard Gelfond
Dune Part Two: Filmed For IMAX, or Filmed With IMAX? Dune Part Two: Filmed For IMAX, or Filmed With IMAX?

Furthermore, Gelfond added: “I think AI is also going to help a lot in marketing and analyzing data. For instance, IMAX can use a lot of improvement in that area. We have a lot of data, but I don’t think we are adapting as we need to be, how to analyze that data, and how to target the audience. Thus, I think AI is going to be extremely helpful there”. Additionally, Gelfond mentioned the Ssimwave acquisition by stating: “In terms of Ssimwave as mentioned, there’s a lot of AI technology there. The former CEO of that company became our Chief Product Officer, so we are aggressively trying to figure it out how to utilize AI in oner segments of our business”.

IMAX and SSIMWAVE IMAX and SSIMWAVE

I think AI is also going to help a lot in marketing and analyzing data. For instance, IMAX can use a lot of improvement in that area. We have a lot of data, but I don’t think we are adapting as we need to be, how to analyze that data, and how to target the audience. Thus, I think AI is going to be extremely helpful there.

IMAX CEO – Richard Gelfond

IMAX proprietary algorithm: From non-IMAX cameras – to IMAX theaters

Although no new info was added regarding the new IMAX cameras (that were postponed to 2024), Gelfond has been talking frequently about the IMAX proprietary algorithm, which transfers non-IMAX images, to extreme imagery that can be screened on the huge canvas. In recent interviews Gelfond mentioned a special device attached to IMAX-certified cameras, that helps to enhance that image and to adapt it to a big screen presentation. However, the best reference for that utilization of the IMAX proprietary algorithm and AI tech, is the talked-about sci-fi project, The Creator. The movie was shot entirely on Sony FX3 which is not an IMAX-certified camera. Nevertheless, the ProRes RAW footage was undergone special treatment by IMAX AI technologies, in order to boost the imagery and make it capable enough to hold up against the huge canvas. Anyway, there’s no replacement for the real IMAX 65mm film cameras. We do hope that we’ll see the 2nd generation soon.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

YMCinema is a premier online publication dedicated to the intersection of cinema and cutting-edge technology. As a trusted voice in the industry, YMCinema delivers in-depth reporting, expert analysis, and breaking news on professional camera systems, post-production tools, filmmaking innovations, and the evolving landscape of visual storytelling. Recognized by industry professionals, filmmakers, and tech enthusiasts alike, YMCinema stands at the forefront of cinema-tech journalism.

1 Comment

  1. What a nonsense. AI already replacing every day faces, scenes and backgrounds.
    In few years it will also replace cameras and optics. You don’t need to be Einstein to predict this development…

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Recent Posts

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

The Tools That Created ‘The Creator’: Sony FX3, Ronin RS2, Atomos Ninja, Kowa 75mm Anamorphic, and ProRes RAW
Previous Story

The Tools That Created ‘The Creator’: Sony FX3, Ronin RS2, Atomos Ninja, Kowa 75mm Anamorphic, and ProRes RAW

The Cameras Behind Emmy 2023: Sony VENICE Leads, and Kinefinity Enters the List
Next Story

The Cameras Behind Emmy 2023: Sony VENICE Leads, and Kinefinity Enters the List

Latest from News

Atomos Kills Its 8K Global Shutter Dream

Atomos Kills Its 8K Global Shutter Dream

In an industry full of big talk and bigger promises, it’s always refreshing (or sad, depending on your mood) when someone finally admits they couldn’t pull it off. That’s what happened this…
Go toTop

Don't Miss

Behind the Scenes of the F1 Movie: Sony’s Secret 6K Camera Finally Revealed

Behind the Scenes of the F1 Movie: Sony’s Secret 6K Camera Finally Revealed

The much-anticipated Formula 1 movie directed by Joseph Kosinski continues to generate massive buzz—not only because of its thrilling racing sequences and IMAX-first…
Blackmagic URSA Cine 17K 65 vs. FUJIFILM GFX ETERNA: A Knockout in the Medium Format Cinema Arena

Blackmagic URSA Cine 17K 65 vs. FUJIFILM GFX ETERNA: A Knockout in the Medium Format Cinema Arena

The cinema camera world is buzzing with two major contenders vying for dominance in the affordable medium format battlefield: FUJIFILM’s GFX ETERNA and…