Apple Introduces its new 8K 3D Cinema Camera
Apple Introduces its new 8K 3D Cinema Camera

Apple Introduces its new 8K 3D Cinema Camera

2024-10-11
2 mins read

Apple wants to change the future of filmmaking, and has introduced its first 8K 3D cinema camera developed to make movies for the Vision Pro. The camera can shoot 180-degree in high resolution, and record spatial audio for cinematic immersive content. All known details are below.

Apple new 8K 3D Cinema Camera
Apple new 8K 3D Cinema Camera

Based on the patent application from 2021

YMCinema was the first to report about Apple patent from 2021 titled “Camera apparatus and method”. The patent describes a double sensor camera that is dedicated to capture spatial content for the Vision Pro. The camera has high-resolution capabilities (8K) and is armed with two large sensors. As stated by our article: “It’s important to mention that although the sensor units are presented multiple times in the application, a size specification is not defined. However (!), by examining the dimensions described in the applications, we can conclude that it’s a big sensor since the dimensions of the filters are about 5 centimeters. So we assume these are two sensors of Micro-Four-Thirds so Super 35 each! That would be considered large sensors, especially for a stereoscopic camera”. Yesterday, Apple has introduced the camera to the public.

Apple 8K 3D Cinema Camera
Apple 8K 3D Cinema Camera
Apple 8K 3D Cinema Camera
Apple 8K 3D Cinema Camera

Apple 8K 3D cinema camera

Apple has teamed up with Academy Award-winning filmmaker Edward Berger to make their first short film, Submerged, using their brand new immersive camera, which could change the way people watch things at home forever. The camera allows filmmakers to utilize the near-limitless possibilities of Apple Immersive Video, a brand-new storytelling format that lets its users create 3D video in 8K with a 180-degree view. Basically, it’s a very new camera that sees 180 degrees, specially developed by Apple. It’s a specially designed stereoscopic camera with microphones that are also, in a way, multidirectional in order to record spatial audio. When shooting with the camera, everything is in focus. Apple has not released any specs yet, nor availability and price. Nevertheless, from analyzing the BTS, we see that the base structure is indeed, very similar to the patent application explained above.

Apple 8K 3D Cinema Camera
Apple 8K 3D Cinema Camera
Apple 8K 3D Cinema Camera
Apple 8K 3D Cinema Camera

The camera is not available to the public, yet

As said, there’s no info regarding pricing and availability. It’s a high resolution camera, reminds us IMAX, Blackmagic URSA Cine Immersive 8K 3D, Sphere’s Big Sky, and the ACHTEL 9X7 . It’s for filmmakers who want to produce content dedicated to the Vision Pro, as opposed to the IMAX, Big Sky and ACHTEL 9X7 that focus on dome screening and huge canvases. It appears that Apple is not going to release it to the public. Anyway, if you’d want to make movies for the Vision Pro, you can shoot with the “The World’s First Commercial Camera System for Apple Immersive Video” which is the Blackmagic URSA Cine Immersive 8K 3D. The truth is that we just don’t like the fact seeing a movie with the Vision Pro stuck on our head, and isolates us from the environment since watching a movie is a social experience. So we don’t like it at all. Technology wise – it’s an achievement for sure. But it does’t contribute to the future of filmmaking.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

5 Comments

  1. Dear Yossy, what a strange comment about the fact that ‘We don’t like the fact of seeing a movie with a vision pro… etc’.
    Sure, there are ‘things to be said’ about watching a movie or an experience in VR ‘today’, but this tech is the future for sure.. it’s like saying in the SD times, 4K is sure a nice tech but seeing all the details in a face is not what ‘we’ like.
    The development of a VR experience for content is absolutely where both docu and movies will go and for a good reason. the experience is nothing but mind blowing and total immersive ‘When done right’. That the tech is still in its infancy that is a fact, but give it its time and immersive viewing will be a major element in entertainment etc… If you see the way things are developing and going it is the way things will go. It is up to us, the tech lovers and storytellers to use it to its full potential.

    • Well said and right on the nose.

      That little “addendum” is just absolutely superfluous and sounds like my grandpa chasing you off his lawn. Just embarrassingly silly. Who is this “we” anyway??

      And yeah, why don’t we just ignore that you CAN, in fact, watch movies with several people on the Apple Vision Pro! 🙄🤦🏼‍♂️ Whether they are in the same room or even on the other side of the globe! So maybe just stick to forming an opinion on things that you actually understand/know something about?

      Don’t like it? Pro tip: Then don’t watch it?! But IMHO, it’s going to be a big part of the future of film, the “next big thing,” if you will, and will be/is the first viable and watchable 3D ever. Once there are more and better cameras and of course even better and more affordable Vision Pros it’s sure to take off. Whether you’re a grumpy Luddite and like it or not.

      • Although you’re probably right that the Vision Pro represents the future of film display (or at least a part of it), I’d hesitate to bet everything on 3D yet again.

        • I don’t think anyone is saying one should bet EVERYTHING on it. It’s about not mindlessly dismissing it because “you’re all alone, wah!”. As if sitting in a theater is such a HUGE difference? The benefit of going with someone is merely that I can talk to them about it directly afterward. But that experience still isn’t even anywhere near as immersive.

          And anyone who dismisses the experience clearly has never had it. I have, and it is literally as if you were in the theater with whoever has the other Vision Pro(s). As I said above, whether they are in the same room or on the other side of the globe. You can see each other, talk to each other, and not annoy the hell out of anyone sitting around you while doing it, as you would in the theater. Call me antisocial, but I find the usual chatter and noise that comes with sitting in a theater with countless strangers extremely distracting and, for me, diminishes the experience.

          And let’s not also pretend as if there weren’t endless people who don’t constantly watch movies, series, and whatever else all by themselves otherwise. In which case, how is that a step back, as he seems to want to suggest? In fact, when they have the option to do it with somebody else, regardless of where they are and with whom they would otherwise not be able to, that’s AN UPGRADE.

          Again, a ludicrous notion and an entirely unnecessary comment. Merely aimed at feigning the “more discerning pro”. 🙄

  2. I have been enjoying Apple’s Immersive Video series on my Apple Vision Pro (AVP), the 3D with very few exceptions is very well done, and the image quality is breathtaking. And, paradoxically enough, it is one of the few times where I really notice the AVP’s relatively narrow field of view. I find myself having to move my head around to catch action and details on the periphery. For 3D stills I think this works well since you can take your time studying the scene. But with video where there is action happening in the center stage, you can either follow that action, ignoring the interesting scenery, above,. below, and to the sides, or you can look about while missing the main action in front of you. Eventually we’ll have more of an IMAX experience in headset where you only need to move your eyes to take in the whole scene but for now it is a little like having to experience a real life experience through a SCUBA diving mask.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Will Nolan Use Nex-Gen IMAX Film Cameras for His Next Project?
Previous Story

Will Nolan Use Next-Gen IMAX Film Cameras for His Next Project?

Lawrence Sher, ASC on Joker 2: We Wanted to Shoot in IMAX Film Cameras
Next Story

Lawrence Sher, ASC on Joker 2: We Wanted to Shoot in IMAX Film Cameras

Latest from News

Sony Alpha 1 Gets a $1,000 Price Slash

Sony Alpha 1 Gets a $1,000 Price Slash

The Sony Alpha 1, long regarded as Sony’s ultimate flagship mirrorless camera, has just received a remarkable $1,000 price reduction, dropping from $6,500 to $5,500. Officially advertised as part of a…
Canon C400 is Netflix Approved

Canon C400 is Netflix Approved

YMCinema is proud to be the first to announce that Canon’s powerful new EOS C400 has earned the prestigious Netflix seal of approval, joining the elite roster of cameras authorized for Netflix…
Go toTop

Don't Miss

Final Cut Pro 11: Apple’s Vision for the Future of Video Editing

Final Cut Pro 11: Apple’s Vision for the Future of Video Editing

Apple’s latest flagship update, Final Cut Pro 11, marks a new era for video editing on the Mac, redefining the editing experience with…
Should Apple Buy Blackmagic?

Should Apple Buy Blackmagic?

As the worlds of high-tech consumer electronics and professional filmmaking increasingly overlap, the idea of Apple acquiring Blackmagic Design is a fascinating proposition.…